CACrown ArchivesThe cinema collection
EN/FR
Search
Menu
Research dossier · Arts & Letters

Pin Ups

1973 studio album by David Bowie

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authoritySource title only
Source-derived summary

Pin Ups is the seventh studio album by the English musician David Bowie, released on 19 October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring glam rock and proto-punk versions of songs by 1960s bands who were influential on Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd.

Editorial summary

This brief starts where responsible research should: with the source description of “Pin Ups” as 1973 studio album by David Bowie. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1973—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where studio, album and David can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1973 studio album by David Bowie. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 18, 2026. The first chronological checks are 1973.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Pin Ups”, its source revision and the description used here.
  2. Expand the search: follow Pin Ups primary sources, Pin Ups archive and studio research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Pin Ups”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Pin Ups” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.