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Piety Street Recording

recording studio in New Orleans, Louisiana

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 28, 2026
Entity authorityQ7193114
Source-derived summary

Piety Street Recording was a recording studio at 728 Piety Street in the 9th Ward/Bywater, New Orleans.

History

The building was originally a US post office and later housed the Louisiana Center For Retarded Citizens. After a few short-term tenants, the building was purchased in 1999 by producer/engineer/musician Mark Bingham and ex-REM manager Jefferson Holt. In 2001 it was rebuilt as a 3-studio recording facility and christened Piety Street Recording. Other partners included artist and studio manager Shawn Hall and producer/engineer John Fishbach, with Wesley Fontenot serving as chief engineer. The studio's largest room, Studio A, utilized a 48-channel SSL 4064 G+ loaded with 30 outboard microphone preamps.

Acts who have recorded at Piety Street include: Pretty Lights, Dr. Michael White, Dr. John, Ryan Adams, Dave Matthews Band, Garage A Trois, Dany Brillant, Elvis Costello & Allen Toussaint, Harold Battiste, Terence Blanchard, The Black Eyed Peas, Crowbar, Dirty Dozen Brass Band, Drums and Tuba, Joe Sample, Ed Sanders, 3 Doors Down, Steve Earle, Cassandra Wilson, Sierra Leone's Refugee All Stars, Harry Shearer, Judith Owen, OK GO, Shannon McNally, John Mooney, Nellie McKay, Erin McKeown, Korn, The Knux, Imagination Movers, Charlie Hunter, Hot 8 Brass Band, Happy Talk Band, Mary Flower, Nicholas Payton, Less Than Jake, James Singleton, Jon Cleary, Bo Kaspers Orkester, Alec Ounsworth, Peter Stampfel, Jay Weigel, and John Scofield who named a CD after the studio. Other artists who have used the Piety Street title on their CD's include James Blood Ulmer, Eric Lindell, and Christina Groth.

Editorial summary

The public source identifies “Piety Street Recording” as recording studio in New Orleans, Louisiana. This brief keeps that definition visible, then builds a research path around Piety, Street and Recording.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1999, 2001—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Piety, Street and Recording providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Piety Street Recording”, the useful work is to connect “recording studio in New Orleans, Louisiana” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Feb 28, 2026. The linked authority identifier is Q7193114. Authority coordinates are 29.964, -90.043. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1999 and 2001.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Piety Street Recording”, its source revision and the description used here.
  2. Expand the search: follow Piety Street Recording primary sources, Piety Street Recording archive and Piety research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Piety Street Recording”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Piety Street Recording” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.