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Pedro Campaña

Flemish Renaissance painter (1503-1580)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 23, 2026
Entity authorityQ2066867 ↗
Source-derived summary

Pedro Campaña (1503–1586) was a Flemish painter of the Renaissance period, mainly active in Italy and Spain. His actual name was Pieter de Kempeneer, translated into French as Champaigne, and was also known as Peter van de Velde.

Biography

Born in Brussels, he trained there with Bernard Van Orley. His early life appears to have been spent in Italy, where he carefully studied the paintings of Raphael, and declared himself as his pupil. In 1530 he was at work at some scene-painting, representing a triumphal arch to be erected on the occasion of the coronation of Charles V, Holy Roman Emperor in Bologna, and he then left for Spain, on the advice, it is said, of Cardinal Marino Grimani, and spent the rest of his life in that country, only returning to Brussels about 1563 or 1565.

Between 1537 and 1562 he was associated with Luis de Vargas and the Italian sculptor Torregiano in establishing a school of painting in Seville, which eventually became the academy of the place; among the pupils educated in it was Morales. He painted for the monastery of St. Mary of Grace, Church of Santa Cruz, in the city, an altar-piece representing the Descent from the Cross (1548), which is now in the cathedral, having been removed there when the church fell into ruins. There are other works by the same painter in Seville Cathedral, especially two representing the Purification of the Virgin and the Resurrection, the impressive main retable of Santa Ana, and others in various churches of the city, such as San Isidoro, San Pedro, Santa Catalina, and San Juan de la Palma. One of his last works was the restoration and repainting of a chapel belonging to Hernando de Jaen, an important resident of Seville.

Editorial summary

The public source identifies “Pedro Campaña” as flemish Renaissance painter (1503-1580). This brief keeps that definition visible, then builds a research path around Pedro, Campaña and Flemish.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1503, 1586, 1530, 1563—that can be checked directly. The linked authority record independently contributes the date 1503-01-01. Its value is orientation rather than verdict, with Pedro, Campaña and Flemish providing the first useful test.
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Why this record matters

A short description can identify a subject without explaining its stakes. For “Pedro Campaña”, the useful work is to connect “flemish Renaissance painter (1503-1580)” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 23, 2026. The linked authority identifier is Q2066867. VIAF identifies the subject as 67311815. The Library of Congress control number is nr96002411. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1503, 1586, 1530 and 1563.

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Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Pedro Campaña” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.