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Pierre-Jean Mariette

French art historian (1694–1774)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ322341
Source-derived summary

Pierre-Jean Mariette (French pronunciation: [pjɛʁ ʒɑ̃ maʁjɛt]; 7 May 1694 – 10 September 1774) was a collector of and dealer in old master prints, a renowned connoisseur, especially of prints and drawings, and a chronicler of the careers of French Italian and Flemish artists. He was born and died in Paris, and was a central figure in the artistic culture of the city for decades.

Early life and training

Mariette was born to a long-established and highly successful family of engravers, book publishers and printsellers in Paris. His father was Jean Mariette (1660–1742). In 1657 his father's father, Pierre Mariette (ii) (1634–1716), had bought the family business from his ailing father, Pierre Mariette (i) (1596–1657), for 30,000 livres.

Family connections put him in contact as a young man with antiquarians such as the comte de Caylus, for whom Mariette would write his Lettre sur Leonardo da Vinci, printed as a preface to Caylus's book on Leonardo's caricatures, 1730. In 1722 he first met the immensely rich patron of the arts Pierre Crozat, whom he advised, whose collection he catalogued and from whose sale he purchased outstanding drawings.

Following his education at a Jesuit college in Paris, Mariette was sent on a tour in 1717 to refine his connoisseurship and expand family connections. He initially traveled to Amsterdam, then a major center of the art trade, before visiting Germany. In Vienna, he cataloged the art collection of Prince Eugene of Savoy.

Editorial summary

The public source identifies “Pierre-Jean Mariette” as french art historian (1694–1774). This brief keeps that definition visible, then builds a research path around Pierre-Jean, Mariette and French.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1694, 1774, 1660, 1742—that can be checked directly. The linked authority record independently contributes the date 1694-05-07. Its value is orientation rather than verdict, with Pierre-Jean, Mariette and French providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Pierre-Jean Mariette”, the useful work is to connect “french art historian (1694–1774)” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q322341. VIAF identifies the subject as 59086225. The Library of Congress control number is n50040799. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1694, 1774, 1660 and 1742.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Pierre-Jean Mariette” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.