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Peter the Painter

Latvian gangster (fl. 1911)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 5, 2026
Entity authorityQ7177943 ↗
Source-derived summary

Peter the Painter (Latvian: Pēteris Krāsotājs), also known as Peter Piatkow (or Piatkov, Pjatkov, Piatkoff; Latvian: Pēteris Pjatkovs), was a member of a gang of immigrant Latvian anarchists in London in the early 20th century. After supposedly fighting in and escaping the siege of Sidney Street in 1911, he became an anti-hero in London's East End. He was never caught, and there is some question as to whether he had participated in the Sidney Street incident, or even whether he existed at all.

Biography

In the late 19th and early 20th centuries London became a destination for many eastern European immigrants, who settled mostly in the East End. Ethnic groups joined together in gangs, and numerous immigrants continued radical political activities. They often stole in order to fund their activities. In the wake of the Houndsditch murders in London on 16 December 1910, a member of the gang involved was found dead at a flat at which Peter Piatkow had lived with Fritz Svaars (Latvian: Fricis Svars). Both of the latter men were believed to be members of a Latvian radical group. Svaars was the cousin of Jacob Peters (Jēkabs Peterss), another Latvian far-leftist. In January 1911 the police were informed that Svaars and an accomplice were hiding out at 100 Sidney Street.

Editorial summary

Begin with the source’s own compact description: “Peter the Painter” is latvian gangster (fl. 1911). The dossier treats that line as a proposition to test through Peter, Painter and Latvian, not as a finished interpretation.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1911, 1910—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Peter, Painter and Latvian is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “latvian gangster (fl. 1911)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated May 5, 2026. The linked authority identifier is Q7177943. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1911 and 1910.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
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The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Peter the Painter”, its source revision and the description used here.
  2. Expand the search: follow Peter the Painter primary sources, Peter the Painter archive and Peter research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Peter the Painter”?
  2. Which institution is responsible for the underlying evidence?
  3. Which cited source is closest to the event, object or claim?
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Source & attribution

This entry incorporates text from “Peter the Painter” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.