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Peter Giles (musician)

British musician

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ706798
Source-derived summary

Peter Giles is a British singer and bassist. He is the brother of drummer Michael Giles.

Biography

Early career

Giles began his career in 1960 with the band Johnny King and The Raiders, composed of Johnny King (vocals), Graham "Wes" Douglas (guitar), Roger Collins (guitar), Giles (bass), and brother Michael (drums). The group never recorded any singles. After Roger Collins left the group, the group disbanded shortly thereafter. In August 1961 the Giles brothers joined Dave Anthony and the Rebels - with singer Tony "Dave Anthony" Head and Al Kirtley (pianist/guitarist). The group mainly played the Bure Club in Mudeford until they disbanded after Al Kirtley left the group and joined Zoot Money's Big Roll Band.

Giles and his brother Michael joined Roy Phillips of The Dovers, which were a backing band for The Dowlands. They played their first date together as The Dowlands & The Soundtracks in November 1961. During their two-year tenure, they accompanied The Dowlands on three unsuccessful singles released on the independent UK label Oriole Records, “Little Sue” (August 1962), “Big Big Fella” (November 1962) and “Break Ups” (April 1963).

Editorial summary

The public source identifies “Peter Giles (musician)” as british musician. This brief keeps that definition visible, then builds a research path around Peter, Giles and musician.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1960, 1961, 1962, 1963—that can be checked directly. The linked authority record independently contributes the date 1944-06-17. Its value is orientation rather than verdict, with Peter, Giles and musician providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Peter Giles (musician)”, the useful work is to connect “british musician” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q706798. VIAF identifies the subject as 50899137. The Library of Congress control number is n93061424. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1960, 1961, 1962 and 1963.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Peter Giles (musician)”, its source revision and the description used here.
  2. Expand the search: follow Peter Giles (musician) primary sources, Peter Giles (musician) archive and Peter research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Peter Giles (musician)”?
  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Peter Giles (musician)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.