Paula Riemann
German actress
Paula Riemann (born 3 August 1993), also known as Paula Romy, is a German filmmaker and choreographer from Berlin, living in London.
Biography
Both of Riemann's parents, Katja Riemann and Peter Sattmann, are actors.
Riemann moved to London in 2010 where she trained as a dancer at the Urdang Academy. She graduated from Queen Mary University with a degree in Business Management, and then went on to study Filmmaking at the London Metropolitan University's film school. She writes, directs and produces films, music videos and commercials.
Riemann is also known as an actress for Marco Kreuzpaintner's comedy Coming In (2014) playing the model Maja, and for the role of Melanie in German kids movies trilogy Wild Chicks (2006–2007) for which she was awarded the Undine Award for Best Young Comedian.
Filmography
Her first short film Ella (2015) won honourable mention from the jury at the International Film Festival Manhattan. Her second short film BiNARY (2016) had its world premiere at the London Independent Film Festival and then continued its international festival circuit.
Subsequently Riemann was commissioned to make her first music video for Jasmin Tabatabai's song "Puppet on a String". The video told the story of a love-triangle through dance, which Riemann also choreographed.
“Paula Riemann” enters the record as german actress. Crown Archives preserves that source wording while asking what Paula, Riemann and German can confirm, complicate or overturn.
Why this record matters
“Paula Riemann” is worth following because a concise public description often conceals a longer documentary argument. Here, Paula, Riemann and German provides the most credible route into that argument.
The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 9, 2026. The linked authority identifier is Q71077. VIAF identifies the subject as 50359786. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1993, 2010, 2014 and 2006.
A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Paula Riemann”, its source revision and the description used here.
- Expand the search: follow Paula Riemann primary sources, Paula Riemann archive and Paula research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Paula Riemann”?
- Which primary records establish identity, chronology and institutional ties?
- Which claims depend on a single source or contested interpretation?
Search terms from this dossier
This entry incorporates text from “Paula Riemann” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.