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Pat Colgate

American ballet dancer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 2, 2023
Entity authorityQ7143304
Source-derived summary

Pat Colgate is the artistic director of the Placer Theatre Ballet dance company, which she founded. She designs all costumes and directs choreography for each original ballet staged there.

Pat Colgate trained in ballet in Boston, and became a member of the Boston Ballet. From there, she trained with American Ballet Theatre school in New York City at the age of 15.

She has performed with the Boston Ballet, Opera Company of Boston, and the New York City Rockettes. In New York, she appeared in Bye Bye Birdie, Hit the Deck, and Destry Rides Again. In San Francisco, she appeared in Funny Girl, Annie Get Your Gun, 42nd Street, Follies, La Cage Aux Folles, A Chorus Line, No, No, Nanette, Good News, The Pajama Game, Gypsy: A Musical Fable, The Music Man, Of Thee I Sing, Godspell, Sugar, and Guys and Dolls.

She has owned her own dance company for 25 years in the San Francisco Bay area before relocating to Placer County, California.

Editorial summary

Begin with the source’s own compact description: “Pat Colgate” is american ballet dancer. The dossier treats that line as a proposition to test through Colgate, American and ballet, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current 164-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. For this dossier, Colgate, American and ballet is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “american ballet dancer” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 2, 2023. The linked authority identifier is Q7143304. None of the 0 selected statements returned an explicit reference.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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Three-step research path

  1. Establish the record: confirm the title “Pat Colgate”, its source revision and the description used here.
  2. Expand the search: follow Pat Colgate primary sources, Pat Colgate archive and Colgate research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Pat Colgate”?
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  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Pat Colgate” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.