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Frank Partos

American screenwriter (1901–1956)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 19, 2026
Entity authorityQ1230411 ↗
Source-derived summary

Frank Partos (born Ferenc Pártos; July 2, 1901 – December 23, 1956) was a Hungarian-American screenwriter and an early executive committee member of the Screen Actors Guild, which he helped found.

Emigration from Europe

Born in Budapest on July 2, 1901, Pártos began as a clerk and, sailed to the United States as a steerage passenger on board the S/S Mount Carroll, which departed the Port of Hamburg, Germany, on April 28, 1921, and arrived at the Port of New York on May 10. According to the ship's passenger manifest, his destination was to his stepfather Ignatz Reitzer of 214 Hope Avenue, in Passaic, New Jersey.

Career

He arrived in California in the late 1920s with a letter of introduction to Irving Thalberg of Metro-Goldwyn-Mayer. Partos was given a position as a reader and later given a book by Vicki Baum to write a synopsis. Thalberg decided to make Grand Hotel (1932) based on that synopsis and had Partos work as a screenwriter on the project. Partos did not get screen credit and, because of that slight, left MGM.

In the 1930s, he was a staff writer at Paramount Pictures, during the early years to the talkie era. In 1939 he moved to RKO Radio Pictures, where he collaborated on the early noir film Stranger on the Third Floor (1940). During the mid-1930s Partos worked extensively with screenwriter Charles Brackett, and was Brackett's first choice for a writing partner. In 1944, he co-wrote the screenplay for The Uninvited, an early haunted house story starring Ray Milland and Gail Russell.

Editorial summary

The public source identifies “Frank Partos” as american screenwriter (1901–1956). This brief keeps that definition visible, then builds a research path around Frank, Partos and American.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1901, 1956, 1921, 1932—that can be checked directly. The authority record carries competing date values—1901-02-07, 1901-07-02—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Frank, Partos and American providing the first useful test.
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A short description can identify a subject without explaining its stakes. For “Frank Partos”, the useful work is to connect “american screenwriter (1901–1956)” to the records capable of establishing context and consequence.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 19, 2026. The linked authority identifier is Q1230411. VIAF identifies the subject as 76627721. The Library of Congress control number is no89001487. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1901, 1956, 1921 and 1932.

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Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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This entry incorporates text from “Frank Partos” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.