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Panos Aravantinos

Greek scenographer and custom designer (1884–1930)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 31, 2025
Entity authorityQ3557434 ↗
Source-derived summary

Panos Aravantinos (Greek: Πάνος Αραβαντινός; Corfu, 7 September 1884 – Paris, 1 December 1930) was a Greek painter, opera and theatre scenery and costume designer and decorator.

Life

Aravantinos was born in Corfu, and was educated in both Athens and Germany. He returned to Greece to fight in the Balkan Wars. It was at this time he designed a collection of uniforms for the Greek army. In 1914, he made his debut at the Royal Theatre of Athens. He won international recognition in 1920 with his set designs for the Berlin State Opera's staging of Strauss' opera Die Frau ohne Schatten.

His career in Germany reached its peak in 1926, when he was appointed as the artistic counselor for a number of Berlin theatres.

During his career, he used Constructivism, expressionism, Russian avant-garde and symbolism, as well as ancient Greek art as stylistic influences.

He died in Paris at the age of 46 from pneumonia.

1300 pieces from his collection were donated by him to the Piraeus municipality, and now reside at the Panos Aravantinos Decor Museum.

Editorial summary

This brief starts where responsible research should: with the source description of “Panos Aravantinos” as greek scenographer and custom designer (1884–1930). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1884, 1930, 1914, 1920—that can be checked directly. The linked authority record independently contributes the date 1884-09-07. The account is most persuasive where Panos, Aravantinos and Greek can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as greek scenographer and custom designer (1884–1930). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jul 31, 2025. The linked authority identifier is Q3557434. VIAF identifies the subject as 64840793. The Library of Congress control number is no2009086091. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1884, 1930, 1914 and 1920.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Panos Aravantinos”, its source revision and the description used here.
  2. Expand the search: follow Panos Aravantinos primary sources, Panos Aravantinos archive and Panos research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Panos Aravantinos”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Panos Aravantinos” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.