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Mark Panick

musical artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 6, 2026
Entity authorityQ29446286 ↗
Source-derived summary

Mark Panick (born August 28, 1956) is an American musician, bandleader and songwriter best known for fronting the underground rock groups Bonemen of Barumba and Razorhouse.

History

In 1981, Panick co-founded Bonemen of Barumba with Tom Jonusaitis. The band went on to release two EPs. The 1981 self titled Bonemen of Barumba EP was described by Steve Albini as "Barbeque [sic] music from hell". In 1983's the group released Driving the Bats Thru Jerusalem. This was described as "ballsy and primitive" by Trouser Press. In 1985's the band released an LP entitled Icons, on the Chicago/Philadelphia imprint Fever, which was distributed by the larger independent label Enigma Records.

The Bonemen of Barumba track Thick Promise appeared on the 1982 cassette compilation Sub Pop 7 and the tracks Barumba Intro and Government Money received airplay on BBC Radio One's The John Peel Show on March 3, 1982. The band also received favorable press in the Los Angeles Reader, The Chicago Sun-Times amongst many others.

While fronting Bonemen of Barumba, Panick was in a short-lived group called Minority of One with Jeff Pezzati, the vocalist for Naked Raygun.

Editorial summary

“Mark Panick” enters the record as musical artist. Crown Archives preserves that source wording while asking what Mark, Panick and musical can confirm, complicate or overturn.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1956, 1981, 1983, 1985—that can be checked directly. The linked authority record independently contributes the date 1956-08-28. Its strongest next move is a source search built around Mark, Panick and musical.
Editorial analysis

Why this record matters

“Mark Panick” is worth following because a concise public description often conceals a longer documentary argument. Here, Mark, Panick and musical provides the most credible route into that argument.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 6, 2026. The linked authority identifier is Q29446286. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1956, 1981, 1983 and 1985.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Mark Panick”, its source revision and the description used here.
  2. Expand the search: follow Mark Panick primary sources, Mark Panick archive and Mark research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Mark Panick”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from “Mark Panick” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.