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Pandav Lila

Hindu tradition

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 8, 2025
Entity authorityQ65286917 ↗
Source-derived summary

Pandav Lila or Pandav Nritya (Sanskrit; literally "play of the Pandavas" and "dance of the Pandavas" respectively) is a ritual re-enactment of stories from the Hindu epic Mahabharata, through singing, dancing and recitation, that is practised in the Garhwal region of Uttarakhand, India. Pandavas are the five protagonists in the epic and the village amateurs take on their roles and perform the lila outdoors, accompanied by the folk instruments dhol, damau and two long trumpets called bhankore. The performances, which can last anywhere from three days to a month in different villages, draw large crowds and are an important cultural highlight of the year. The ritualistic drama features actors who often spontaneously become "possessed" by the spirits of their characters and begin to dance.

History and format

The origins of the Pandav Lila are intermingled with Hindu mythology . It has always been performed by village amateurs, and not professionals, and is usually sponsored by the Janman's (Kshatriya) Every village can have its own variation, and some may place a greater emphasis on singing or drama. The performances begin at night and last till early mornings. The episodes from the epic are not necessarily performed in a linear order, as the intention is not to convey the epic's story but dance out or enact specific scenes that the artists or villagers are familiar with. As the story progresses and the action intensifies, they begin to start earlier in the day and continue till morning next day. The most-awaited episode is often a battle between a father and a son, Arjuna and Nagarjuna, which is known by the name gainda (Hindi for rhinoceros), as it involves Arjuna killing the rhinoceros that belongs to his son.

Editorial summary

The public source identifies “Pandav Lila” as hindu tradition. This brief keeps that definition visible, then builds a research path around Pandav, Lila and Hindu.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current 284-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Pandav, Lila and Hindu providing the first useful test.
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A short description can identify a subject without explaining its stakes. For “Pandav Lila”, the useful work is to connect “hindu tradition” to the records capable of establishing context and consequence.

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Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Nov 8, 2025. The linked authority identifier is Q65286917. None of the 0 selected statements returned an explicit reference.

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Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Pandav Lila” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.