Tezi Altarpiece
painting by Pietro Perugino

The Tezi Altarpiece (Italian: Pala Tezi) is a painting by the Italian Renaissance painter Pietro Perugino, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy. The work was once associated to a single predella panel portraying the Last Supper (18 cm × 121 cm or 7.1 in × 47.6 in), now at the Gemäldegalerie of Berlin.
The painting was executed for the Tezi Chapel in the church of Sant'Agostino in Perugia. After that monastic institute was suppressed under the Napoleonic domination of Italy, it was acquired by the Umbrian Gallery.
Style
The panel shows the Madonna and Child on a cloud in the sky, flanked by St. Nicholas of Tolentino and Bernardino of Siena. Below, over a wood landscape, are the traditional depictions of St. Jerome with the lion, and St. Sebastian struck by arrows. At the bottom, in the middle, is a tabernacle opening which once housed the Holy Sacrament.
This brief starts where responsible research should: with the source description of “Tezi Altarpiece” as painting by Pietro Perugino. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as painting by Pietro Perugino. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q3428036. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Tezi Altarpiece”, its source revision and the description used here.
- Expand the search: follow Tezi Altarpiece primary sources, Tezi Altarpiece archive and Tezi research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Tezi Altarpiece”?
- How did later circulation or interpretation alter the work’s reception?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Tezi Altarpiece” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.