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Paint Me Down

1981 single by Spandau Ballet

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 9, 2026
Entity authorityQ110129139
Source-derived summary

"Paint Me Down" is a song by the English new wave band Spandau Ballet, released on 2 November 1981 as the second single from what would be their second album, Diamond. Their guitarist/songwriter Gary Kemp copied some of the elements of their previous hit, "Chant No. 1 (I Don't Need This Pressure On)", and the conflict between producer Richard James Burgess and lead singer Tony Hadley that began with that song continued as they recorded the vocals for "Paint Me Down". A controversial music video for the song was rejected by the British music chart television programme Top of the Pops, and its number 30 peak position on the UK Singles Chart was not enough to justify airing the studio performance they had filmed for the show either.

Background

As Spandau Ballet's first album, Journeys to Glory, was being completed, the band's guitarist/songwriter Gary Kemp noticed a resurgence of funk in the clubs around Soho that he wanted to emulate in his own songwriting, and an encounter with the British jazz-funk group Beggar and Co led to their collaboration on one of his first attempts to do so, "Chant No. 1 (I Don't Need This Pressure On)". When that song became a number 3 hit in the UK it also put pressure on him to write more hits for their second album. In his autobiography I Know This Much: From Soho to Spandau, he explained how the songs for their debut came much more easily, having been written, re-written and then tested in front of club audiences for months before they were signed to a record label. But as "Chant No. 1" climbed the charts, he suffered from writer's block and decided to copy its use of the Beggar & Co.

Editorial summary

The public source identifies “Paint Me Down” as 1981 single by Spandau Ballet. This brief keeps that definition visible, then builds a research path around Paint, Down and single.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1981—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Paint, Down and single providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Paint Me Down”, the useful work is to connect “1981 single by Spandau Ballet” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 9, 2026. The linked authority identifier is Q110129139. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1981.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Paint Me Down”, its source revision and the description used here.
  2. Expand the search: follow Paint Me Down primary sources, Paint Me Down archive and Paint research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Paint Me Down”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Paint Me Down” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.