CACrown ArchivesThe cinema collection
Menu
Research dossier · People & Ideas

Pablo Márquez (guitarist)

Argentine musician

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 12, 2026
Entity authorityQ3359987 ↗
Source-derived summary

Pablo Márquez (Born 1967) is an Argentinean guitarist. Born in Argentina, he is best known for his interpretations of historical classical works as well as his performances of Argentinean traditional music. He is also a professor at the Musik-Akademie of Basel.

Early life and education

Márquez started his guitar studies at the age of 10 and gave his first performance three years later with an orchestra in Salta, north-western Argentina, where he grew up and received his first training. Márquez then studied in Buenos Aires with Jorge Martínez Zárate and Eduardo Fernández. He won first prizes at the Villa-Lobos and Radio France international competitions in Rio de Janeiro and Paris respectively. He won later prizes at competitions in Geneva and Munich. As a musician, Márquez studied conducting with Eric Sobzyck, Rodolfo Fischer and Peter Eötvös, and followed the teaching of pianist György Sebők.

Career

Over the span of Márquez's career, he has performed at concert halls in more than 40 countries, including Concertgebouw in Amsterdam, Teatro Colón of Buenos Aires, Herkulessaal in Munich, and both the Théâtre du Châtelet and Opéra Comique in Paris, and continued to perform at international music festivals. He collaborated with Anja Lechner, Anne Gastinel, Patricia Kopatchinskaja, the Rosamunde Quartett of Munich, Dino Saluzzi and María Cristina Kiehr.

Editorial summary

The public source identifies “Pablo Márquez (guitarist)” as argentine musician. This brief keeps that definition visible, then builds a research path around Pablo, Márquez and guitarist.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1967—that can be checked directly. The linked authority record independently contributes the date 1967-01-01. Its value is orientation rather than verdict, with Pablo, Márquez and guitarist providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Pablo Márquez (guitarist)”, the useful work is to connect “argentine musician” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Apr 12, 2026. The linked authority identifier is Q3359987. VIAF identifies the subject as 27265960. The Library of Congress control number is no2002042861. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1967.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Pablo Márquez (guitarist)”, its source revision and the description used here.
  2. Expand the search: follow Pablo Márquez (guitarist) primary sources, Pablo Márquez (guitarist) archive and Pablo research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Pablo Márquez (guitarist)”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Pablo Márquez (guitarist)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.