Overtures of Blasphemy
2018 album by Deicide

Overtures of Blasphemy is the twelfth studio album by American death metal band Deicide. It was released on September 14, 2018, through Century Media Records.
Begin with the source’s own compact description: “Overtures of Blasphemy” is 2018 album by Deicide. The dossier treats that line as a proposition to test through Overtures, Blasphemy and album, not as a finished interpretation.
Why this record matters
The phrase “2018 album by Deicide” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jan 13, 2026. The first chronological checks are 2018.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Overtures of Blasphemy”, its source revision and the description used here.
- Expand the search: follow Overtures of Blasphemy primary sources, Overtures of Blasphemy archive and Overtures research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Overtures of Blasphemy”?
- How did later circulation or interpretation alter the work’s reception?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Overtures of Blasphemy” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.