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Oscarito

Brazilian actor (1906–1970)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 5, 2026
Entity authorityQ1797253
Source-derived summary

Oscarito, stage name of Oscar Lorenzo Jacinto de la Inmaculada Concepción Teresa Diaz (August 16, 1906 – August 4, 1970) was a Spanish-born Brazilian actor, considered to be one of the most popular comedians of Brazil.

Life

Born in a family of circus comedians, came to Brazil when he was one year old, but only became a naturalized citizen in 1949.

Made his debut in the circus at age five in 1914, where he learned to play the violin, besides being a clown, trapeze artist, acrobat and actor.

Made his debut in the revues in 1932, in the play Calma, Gegê, satirizing dictator Getúlio Vargas.

Made his debut in the cinema in Noites Cariocas (1935), although he had been an extra in a previous film (A Voz do Carnaval, 1933). He reached utmost fame with the comic duo he formed with Grande Otelo, in comedies directed by Carlos Manga and Watson Macedo.

He was married to Margot Louro and had two children, José Carlos and Mirian Thereza. In the morning of July 15, 1970, he suffered a stroke and was hospitalized, already in a coma. He died on August 4. His body was laid in the main hall of the Assembleia Legislativa do Rio de Janeiro, with the presence of more than two thousand people.

Editorial summary

The public source identifies “Oscarito” as brazilian actor (1906–1970). This brief keeps that definition visible, then builds a research path around Oscarito, Brazilian and actor.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1906, 1970, 1949, 1914—that can be checked directly. The linked authority record independently contributes the date 1906-08-16. Its value is orientation rather than verdict, with Oscarito, Brazilian and actor providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Oscarito”, the useful work is to connect “brazilian actor (1906–1970)” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 5, 2026. The linked authority identifier is Q1797253. VIAF identifies the subject as 16362038. The Library of Congress control number is n89223272. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1906, 1970, 1949 and 1914.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Oscarito”, its source revision and the description used here.
  2. Expand the search: follow Oscarito primary sources, Oscarito archive and Oscarito research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Oscarito”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
Subject index

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Source & attribution

This entry incorporates text from Oscarito” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.