CACrown ArchivesThe cinema collection
Menu
Research dossier · People & Ideas

Ornette Coleman discography

Wikimedia artist discography

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 6, 2025
Entity authorityQ7103552
Source-derived summary

Discography for American jazz saxophonist Ornette Coleman.

As bandleader

Studio albums

1958: Something Else!!!! (Contemporary, 1958)

1959: Tomorrow Is the Question! (Contemporary, 1959)

1959: The Shape of Jazz to Come (Atlantic, 1959)

1959: Change of the Century (Atlantic, 1960)

1960: This Is Our Music (Atlantic, 1961)

1960: Free Jazz (Atlantic, 1961)

1961: Ornette! (Atlantic, 1962)

1961: Ornette on Tenor (Atlantic, 1962)

1965: Chappaqua Suite (Columbia, 1966)

1966: The Empty Foxhole (Blue Note, 1966)

1968: New York Is Now! (Blue Note, 1968)

1968: Love Call (Blue Note, 1971)

1971: Science Fiction (Columbia, 1972)

1972: Skies of America (Columbia, 1972)

1973-75: Dancing in Your Head (A&M, 1977)

1977: Soapsuds, Soapsuds (Artists House, 1977)

1976: Body Meta (Artists House, 1978)

1979: Of Human Feelings (Antilles, 1982)

1985: Song X (Geffen, 1986)

1987: In All Languages (Caravan of Dreams, 1987)

1988: Virgin Beauty (Portrait, 1988)

1992: Naked Lunch with Howard Shore, The London Philharmonic Orchestra (Milan, 1992) – soundtrack

1995: Tone Dialing (Harmolodic/Verve, 1995)

1996: Sound Museum: Hidden Man (Harmolodic/Verve, 1996)

1996: Sound Museum: Three Women (Harmolodic/Verve, 1996)

Live albums

1962: Town Hall, 1962 (ESP Disk, 1965)

1965: At the "Golden Circle", Vol. 1 & 2 (Blue Note, 1966)

1965: An Evening with Ornette Coleman (Polydor International, 1967)

1967: The Music of Ornette Coleman - Forms & Sounds (RCA Victor, 1967)

1968: Ornette at 12 (Impulse!, 1968)

1968: The Love Revolution (Gambit, 2005) – music previously issued on Live In Milano 1968 and The Unprecedented Music of Ornette Coleman

1970: Friends and Neighbors: Live at Prince Street (Flying Dutchman, 1972)

1970: Crisis (Impulse!, 1972)

1971: Live in Paris 1971 (Jazz Row, 2007)

1971: The Belgrade Concert (Jazz Door, 1995)

1985: Opening the Caravan of Dreams (Caravan of Dreams, 1985)

1985: Prime Design/Time Design (Caravan of Dreams, 1985)

1988: Jazzbühne Berlin '88 (Repertoire, 1990)

1996: Colors: Live from Leipzig (Harmolodic/Verve, 1997)

2005: Sound Grammar (Sound Grammar, 2006)

2009: New Vocabulary (System Dialing, 2014)

Compilations

The Art of the Improvisers (Atlantic, 1970) – rec. 1959-61

Twins (Atlantic, 1971) – rec. 1961

To Whom Who Keeps a Record (Atlantic, 1975) – rec. 1959-60

Who's Crazy?

Editorial summary

This brief starts where responsible research should: with the source description of “Ornette Coleman discography” as wikimedia artist discography. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1958, 1959, 1960, 1961—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Ornette, Coleman and discography can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as wikimedia artist discography. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Jul 6, 2025. The linked authority identifier is Q7103552. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1958, 1959, 1960 and 1961.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Ornette Coleman discography”, its source revision and the description used here.
  2. Expand the search: follow Ornette Coleman discography primary sources, Ornette Coleman discography archive and Ornette research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ornette Coleman discography”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Ornette Coleman discography” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.