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Orazio Michi

Composer and harpist (1594–1641)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 25, 2025
Entity authorityQ3884925 ↗
Source-derived summary

Orazio Michi "dell'Arpa" (also Mihi; Alife, Campania, 1594 – Rome, 26 October 1641) was an Italian composer, and, as his nickname "of the harp" suggests, harpist.

Works, editions and recordings

3 instrumental pieces on The Harp of Luduvico I diletti di mundo. Quel signor. Su duro tronco. Andrew Lawrence-King CDH55264 Helios

Piangete, afflitti lumi Jaroussky, Rial, Pluhar & L´Arpeggiata.

Ninna nanna al bambino Gesù Jaroussky, Rial, Pluhar & L´Arpeggiata.

Editorial summary

This brief starts where responsible research should: with the source description of “Orazio Michi” as composer and harpist (1594–1641). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1594, 1641—that can be checked directly. The linked authority record independently contributes the date 1594-01-01. The account is most persuasive where Orazio, Michi and Composer can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as composer and harpist (1594–1641). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated May 25, 2025. The linked authority identifier is Q3884925. VIAF identifies the subject as 19872935. The Library of Congress control number is nr97011440. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1594 and 1641.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Orazio Michi”, its source revision and the description used here.
  2. Expand the search: follow Orazio Michi primary sources, Orazio Michi archive and Orazio research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Orazio Michi”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Orazio Michi” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.