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Only a Lock of Hair

painting by John Everett Millais (1829–1896), Manchester Art Gallery

Architectural plans, a scale model, maps and brass measuring instruments
Places and architectureInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 27, 2026
Entity authorityQ119082660
Source-derived summary

Only a Lock of Hair is an 1857–58 oil painting by the English artist John Everett Millais. The portrait shows a young woman in a dress russet-coloured fabric with areas of blue (possibly a shot silk, giving an iridescent effect) with lace at the collar and cuffs, in the process of cutting off a lock of her hair with a small pair of silver scissors, while she gazes off to her left.

The painting

The woman's expression has been described as "distant and melancholy" and "of intense contemplation". The background of the painting is dark and featureless, focusing attention on the subject of the portrait.

A lock of hair carried symbolic weight in the Victorian period. It was used as a mourning memento, often included in mourning jewellery. However, as the young woman is cutting her own hair, it is more likely that in this case that the lock is to be given as a love token, perhaps to be worn in a locket. The woman's expression might suggests all is not right - perhaps a separation is imminent. Dr Angela Hesson observed that "Hair jewellery, whether worn as a reminder of an absent loved one, or in memory of a deceased one, provided a literal sense of physical proximity to the object of affection."

The painting was gifted to Manchester City Art Gallery by Mr James Gresham in 1917, accession number 1917.268. This painting is the cover art of Penguin classics edition of Jane Eyre by Charlotte Bronte.

Editorial summary

The public source identifies “Only a Lock of Hair” as painting by John Everett Millais (1829–1896), Manchester Art Gallery. This brief keeps that definition visible, then builds a research path around Only, Lock and Hair.

Editorial reviewA strong orientation record where physical form, institutional use and historical geography need to be read together. The current lead gives the account dated anchors—1857, 1917—that can be checked directly. The linked authority record independently contributes the date 1857-01-01. Its value is orientation rather than verdict, with Only, Lock and Hair providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Only a Lock of Hair”, the useful work is to connect “painting by John Everett Millais (1829–1896), Manchester Art Gallery” to the records capable of establishing context and consequence.

Evidence profile

Maps, plans, fabric surveys and administrative records can establish how the site’s name, extent and function changed over time. The source revision retrieved here is dated Jun 27, 2026. The linked authority identifier is Q119082660. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1857 and 1917.

Critical limits

A single description cannot reconcile every naming convention, rebuilding phase or administrative transfer associated with a place. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Treat names, boundaries and functions as historically changeable. Maps, plans, inventories and administrative records can clarify what the place meant at different dates.

Best used for
  • Historic place names
  • Jurisdictional context
  • Routes into maps and plans
Verify next

Contemporary maps, plans, listed-building records, estate papers and the responsible local or national archive.

Three-step research path

  1. Establish the record: confirm the title “Only a Lock of Hair”, its source revision and the description used here.
  2. Expand the search: follow Only a Lock of Hair primary sources, Only a Lock of Hair archive and Only research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Only a Lock of Hair”?
  2. What physical evidence or contemporary plan supports the description?
  3. Which earlier names or jurisdictions may reveal additional records?
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Source & attribution

This entry incorporates text from Only a Lock of Hair” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.