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One-act play

play that has only one act, as distinct from plays that occur over several acts

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 31, 2026
Entity authorityQ1194583
Source-derived summary

A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of fringe theatre shows including at the Edinburgh Festival Fringe.

The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and are now a standard part of repertory theatre and fringe festivals.

One act plays were very popular in the 20th century and it is regarded by many to be a modern product.

One-act plays by major dramatists

Euripides – Cyclops

Moliere – The Flying Doctor (1659)

Edward Albee – The Goat, or Who Is Sylvia?

Editorial summary

This brief starts where responsible research should: with the source description of “One-act play” as play that has only one act, as distinct from plays that occur over several acts. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1659—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where One-act, play and only can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as play that has only one act, as distinct from plays that occur over several acts. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated May 31, 2026. The linked authority identifier is Q1194583. The Library of Congress control number is sh85094741. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1659.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “One-act play”, its source revision and the description used here.
  2. Expand the search: follow One-act play primary sources, One-act play archive and One-act research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “One-act play”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from One-act play” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.