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One P.M.

1968 documentary film directed by Jean-Luc Godard and Richard Leacock

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 21, 2026
Entity authorityQ6458502 ↗
Source-derived summary

One P.M. (alternately said to stand for One Pennebaker Movie or One Parallel Movie) is a 1972 film by American documentary filmmaker D.A. Pennebaker, who had collaborated with French filmmaker Jean-Luc Godard on the unfinished film project One A.M. and had shared duties as cinematographer with Richard Leacock. Godard filmed One A.M. (One American Movie) in America in 1968.

Editorial summary

This brief starts where responsible research should: with the source description of “One P.M.” as 1968 documentary film directed by Jean-Luc Godard and Richard Leacock. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1972, 1968—that can be checked directly. The linked authority record independently contributes the date 1968-01-01. The account is most persuasive where documentary, film and directed can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1968 documentary film directed by Jean-Luc Godard and Richard Leacock. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Feb 21, 2026. The linked authority identifier is Q6458502. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1972 and 1968.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “One P.M.”, its source revision and the description used here.
  2. Expand the search: follow One P.M. primary sources, One P.M. archive and documentary research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “One P.M.”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “One P.M.” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.