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Olympia (1938 film)

1938 black-and-white Nazi propaganda documentary film, written, directed and produced by Leni Riefenstahl, about the 1936 Summer Olympics in Berlin

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 26, 2026
Entity authorityQ158069 ↗
Source-derived summary

Olympia is a 1938 German propaganda and documentary film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin during the Nazi period. The film was released in two parts: Olympia 1. Teil — Fest der Völker (Festival of Nations) (126 minutes) and Olympia 2. Teil — Fest der Schönheit (Festival of Beauty) (100 minutes). The 1936 Summer Olympics torch relay, as devised for the Games by the secretary general of the Organizing Committee, Dr. Carl Diem, is shown in the film.

Olympia is controversial due to its political context and propaganda value. However, the techniques Riefenstahl employed are almost universally admired and had a lasting influence on film and television coverage of sport events. Olympia appears on many lists of the greatest films of all time, including Time magazine's "All-Time 100 Movies".

Production

The Nazis planned on using the 1936 Summer Olympics as a piece of propaganda.

Editorial summary

“Olympia (1938 film)” enters the record as 1938 black-and-white Nazi propaganda documentary film, written, directed and produced by Leni Riefenstahl, about the 1936 Summer Olympics in Berlin. Crown Archives preserves that source wording while asking what Olympia, film and black-and-white can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1938, 1936—that can be checked directly. The linked authority record independently contributes the date 1938-01-01. Its strongest next move is a source search built around Olympia, film and black-and-white.
Editorial analysis

Why this record matters

“Olympia (1938 film)” is worth following because a concise public description often conceals a longer documentary argument. Here, Olympia, film and black-and-white provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 26, 2026. The linked authority identifier is Q158069. VIAF identifies the subject as 208328462. The Library of Congress control number is n85374908. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1938 and 1936.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Olympia (1938 film)”, its source revision and the description used here.
  2. Expand the search: follow Olympia (1938 film) primary sources, Olympia (1938 film) archive and Olympia research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Olympia (1938 film)”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Olympia (1938 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.