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Odes 1.5

poem by Horace

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 5, 2025
Entity authorityQ19047186
Source-derived summary

Odes 1.5, also known as Ad Pyrrham ('To Pyrrha'), or by its incipit, Quis multa gracilis te puer in rosa, is one of the Odes of Horace. The poem is written in one of the Asclepiadic metres and is of uncertain date; not after 23 BC.

Summary

To a coquette or flirt: What slender innocent youth enjoys your smiles to-day, and courts you, Pyrrha? (1–5) Alas, he does not yet suspect that you are fickle as the sea; your smile lures on his love to shipwreck (5–13). Thank Heaven I escaped betimes: in Neptune's temple I hang my dripping clothes as votive gift (13–16).

The text

Ambiguous Final Line

The last words of the ode, potenti ... maris deo 'to the god who has power over the sea' are found in the manuscripts and in the ancient commentator Porphyrio; nonetheless, Nisbet and Hubbard in their commentary (1970), following a conjecture of Zielinski (1901), suggest that the original reading may have been potenti ... maris deae 'to the goddess who has power over the sea', i.e. Venus. They compare Odes 3.26.4ff: barbiton hic paries habebit / laevum marinae qui Veneris latus / custodit 'this wall, which guards the left side of Venus of the Sea, will have my lyre', where in a similar way Horace's intention to give up love affairs is symbolised by his dedicating his lyre in the temple of Venus. They argue that Neptune has nothing to do with the metaphorical sea of love.

Editorial summary

This brief starts where responsible research should: with the source description of “Odes 1.5” as poem by Horace. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1970, 1901—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Odes, poem and Horace can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as poem by Horace. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 5, 2025. The linked authority identifier is Q19047186. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1970 and 1901.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Odes 1.5”, its source revision and the description used here.
  2. Expand the search: follow Odes 1.5 primary sources, Odes 1.5 archive and Odes research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Odes 1.5”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Odes 1.5” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.