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Oderisi da Gubbio

Italian painter and manuscript illuminator (1240-1299)

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 9, 2025
Entity authorityQ3349149
Source-derived summary

Oderisi da Gubbio (Gubbio, circa 1240 - Rome, 1299) was an Italian painter and manuscript illuminator of the 13th century. Few details of his life are known. Documents to his activities in Bologna span from 1262 to 1271. In 1292, he was called to Rome by Pope Boniface VIII to illuminate manuscripts in the papal library.

Attributed to Oderisi are:

Illuminated missals from the Canonica della Basilica di San Pietro of Rome;

Digestum infortiatum of Justinian, National Library of Turin;

Conradin Bible, Walters Art Gallery, Baltimore, Maryland, USA;

Psalter 346, University Library of Bologna;

A Bible, Biblioteca Apostolica Vaticana.

Oderisi in Dante's Divine Comedy

Oderisi appears in Canto XI of Dante Alighieri's Purgatorio on the terrace of pride. There, souls repent for their prideful past by carrying heavy stones on their backs that force them to hunch over with their faces to the ground. Oderisi is described to represent the pride of art and fame. He recognizes Dante from beneath his burden and calls out to the poet who then remembers his face. Dante responds to Oderisi and refers to him as "the honor of Gubbio and of that art which they in Paris call illumination." Oderisi replies as an example of humility, brushing off Dante's praise stating that his pupil, Franco Bolognese, is more worthy of it.

Editorial summary

The public source identifies “Oderisi da Gubbio” as italian painter and manuscript illuminator (1240-1299). This brief keeps that definition visible, then builds a research path around Oderisi, Gubbio and Italian.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1240, 1299, 1262, 1271—that can be checked directly. The linked authority record independently contributes the date 1240-01-01. Its value is orientation rather than verdict, with Oderisi, Gubbio and Italian providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Oderisi da Gubbio”, the useful work is to connect “italian painter and manuscript illuminator (1240-1299)” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated May 9, 2025. The linked authority identifier is Q3349149. VIAF identifies the subject as 96459771. 2 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1240, 1299, 1262 and 1271.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Oderisi da Gubbio”, its source revision and the description used here.
  2. Expand the search: follow Oderisi da Gubbio primary sources, Oderisi da Gubbio archive and Oderisi research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Oderisi da Gubbio”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Oderisi da Gubbio” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.