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A Coliseum Complex Museum

album by The Besnard Lakes

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 5, 2025
Entity authorityQ22251925 ↗
Source-derived summary

A Coliseum Complex Museum is the fifth studio album by the Canadian psychedelic rock band The Besnard Lakes, released on January 22, 2016, on Jagjaguwar. The album is the first to feature keyboardist Sheenah Ko and guitarist Robbie MacArthur, who both joined the band in 2014 to tour behind the band's previous album, Until in Excess, Imperceptible UFO (2013).

The album was preceded by the EP Golden Lion, which features two additional tracks recorded during the album's sessions.

Writing and composition

The album features shorter compositions than those on the band's previous two studio albums, Until in Excess, Imperceptible UFO (2013) and The Besnard Lakes Are the Roaring Night (2010). Regarding this, vocalist and guitarist Jace Lasek noted: "This [album] pulls us back in; we were curious to see if it was still possible for us to make something and be happy with it if things were a little more compact and condensed. It worked and it was super fun doing it as well."

Critical reception

Writing for Exclaim!, Dave Mix was critical of the album's sameness, but called it "another impeccably crafted psychedelic rock record sure to please fans of the genre." In a mostly positive review for Pitchfork, Evan Rytlewski did, however, criticize the album for sounding too similar to its predecessors: "Coliseum stacks everything in the right place, and it’s all executed with the usual precision, so why doesn’t the album dazzle quite like the last few?

Editorial summary

The public source identifies “A Coliseum Complex Museum” as album by The Besnard Lakes. This brief keeps that definition visible, then builds a research path around Coliseum, Complex and Museum.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2016, 2014, 2013, 2010—that can be checked directly. The linked authority record independently contributes the date 2016-01-22. Its value is orientation rather than verdict, with Coliseum, Complex and Museum providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “A Coliseum Complex Museum”, the useful work is to connect “album by The Besnard Lakes” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 5, 2025. The linked authority identifier is Q22251925. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2016, 2014, 2013 and 2010.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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  2. Expand the search: follow A Coliseum Complex Museum primary sources, A Coliseum Complex Museum archive and Coliseum research across catalogues and specialist indexes.
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Source & attribution

This entry incorporates text from “A Coliseum Complex Museum” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.