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Ngando Pickett

Cameroonian association football supporter

Layered newspapers, civic records and oral-history reels arranged as chronological evidence
History and societyInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 7, 2026
Entity authorityQ16734514 ↗
Source-derived summary

Henry Mouyebe, better known as Ngando Pickett is a high-profile Cameroonian football fan. He is recognisable at Cameroon national football games for his painted body and musical displays.

His friends named him after Wilson Pickett as he was an accomplished dancer.

In May 2010, sports manufacturer Puma SE used his image in a high-profile advertising campaign without his permission. Pickett is now contemplating legal action against Puma. Speaking of the incident he said "I am extremely embarrassed as my image is everywhere, I have rights to my image on my person. I have nothing with Puma.

Editorial summary

The public source identifies “Ngando Pickett” as cameroonian association football supporter. This brief keeps that definition visible, then builds a research path around Ngando, Pickett and Cameroonian.

Editorial reviewA useful synthesis for locating the documentary relationships between formal authority, participants and affected communities. The current lead gives the account dated anchors—2010—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Ngando, Pickett and Cameroonian providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Ngando Pickett”, the useful work is to connect “cameroonian association football supporter” to the records capable of establishing context and consequence.

Evidence profile

Chronology, provenance and viewpoint should be read together before a broad social or political interpretation is accepted. The source revision retrieved here is dated Mar 7, 2026. The linked authority identifier is Q16734514. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2010.

Critical limits

Institutional narratives can privilege the records that survived while minimizing voices that were never formally collected. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
Verify next

Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “Ngando Pickett”, its source revision and the description used here.
  2. Expand the search: follow Ngando Pickett primary sources, Ngando Pickett archive and Ngando research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ngando Pickett”?
  2. Who created the surviving record, and for what administrative purpose?
  3. What chronology connects this entry to wider political or social change?
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Source & attribution

This entry incorporates text from “Ngando Pickett” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.