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Nepalese painting

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ6994503 ↗
Source-derived summary

Nepalese Painting or Nepali Painting begins with the religious paintings with Hindu and Buddhist subjects, almost all Newa art by the Newari people of the Kathmandu Valley. These traditional paintings can be found in the form of either wall paintings, cloth paintings called paubha, or manuscripts. They used conservative technique, style, and iconography in their works for centuries.

Nepalese paintings believed to have embraced western influences after 1850 with a work of Bhajuman [Chitrakar], a traditional artist who became acquainted with western Realism after visiting Europe. Bhajuman, also known as Bhajumacha Chitrakar, was a court painter of Jung Bahadur Rana, who visited Europe in 1850 after becoming Prime Minister of Nepal. As a member of the new prime minister's entourage, Bhajuman also visited Paris and London. Soon after the return, western Realism supposedly influenced Bhajuman's paintings, marking the start of modern trend. An unsigned painting - supposedly to have painted by Bhajuman - depicts a Thapa General in a full military regalia. This painting remained a pivotal example of considerable departure from an established traditional school of Nepali painting to the western school of art practice. However, the recent discovery of the illustrations by Raj Man Singh Chitrakar (1797-1865) for his patron a British Resident Brian Houghton Hodgson, sheds light on the western Realism entering Nepal way before the influences brought in by Bhajuman Chitrakar.S to Nepalese people

7th to 19th century paintings of Nepal

Mithila Painting is practiced in the Mithila region of Nepal and India.

Editorial summary

This brief starts where responsible research should: with the source description of “Nepalese painting” as open-knowledge reference entry. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1850, 1797, 1865—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Nepalese, painting and Open-knowledge can be independently traced.
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Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q6994503. The Library of Congress control number is sh2017003112. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1850, 1797 and 1865.

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This entry incorporates text from “Nepalese painting” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.