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Music for the Masses

1987 studio album by Depeche Mode

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 18, 2026
Entity authorityQ584720 ↗
Source-derived summary

Music for the Masses is the sixth studio album by the English electronic band Depeche Mode, released on 28 September 1987 by Mute Records in the United Kingdom and Sire Records in the United States. The follow-up to their successful album Black Celebration (1986), it was co-produced by Depeche Mode and David Bascombe. Recorded in Paris and London and mixed in Denmark, it was the first Depeche Mode album to see band member Alan Wilder take control of the production.

The album marked a turning point in the band's sound, blending dark, introspective themes with expansive production. Its release also marked a shift in visual identity, with Anton Corbijn's involvement in music videos and promotional materials helping to redefine the band's aesthetic. Music for the Masses was considered instrumental in helping the band achieve chart success and popularity in the US, which up until then had eluded them. It reached number 10 in the UK, number 35 in the US and number 2 in West Germany. Certified platinum in the US in 1991, it was estimated in 2023 that it had sold over 5.5 million copies globally.

Music for the Masses was included in the book 1001 Albums You Must Hear Before You Die (2006) and Slant Magazine's list of the 100 Best Albums of the 1980s. The title and songs inspired the tribute album For the Masses (1998), which itself had chart success in both the US and Germany.

Editorial summary

This brief starts where responsible research should: with the source description of “Music for the Masses” as 1987 studio album by Depeche Mode. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1987, 1986, 1991, 2023—that can be checked directly. The linked authority record independently contributes the date 1987-09-28. The account is most persuasive where Music, Masses and studio can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1987 studio album by Depeche Mode. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated May 18, 2026. The linked authority identifier is Q584720. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1987, 1986, 1991 and 2023.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Music for the Masses”, its source revision and the description used here.
  2. Expand the search: follow Music for the Masses primary sources, Music for the Masses archive and Music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Music for the Masses”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Music for the Masses” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.