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Music Machine II

1983 studio album by Candle

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 26, 2026
Entity authorityQ6941593 ↗
Source-derived summary

Music Machine II (AKA The Music Machine: All About Love) (1983) is a Christian children's album by Candle that is a continuation of the Music Machine album from 1977. It is set in Agapeland, and teaches children about Love. It features the characters Stevie and Nancy. It is part of a series of spin-offs of Music Machine albums, books, and Music Machine movies. This album is the winner of the 1983 Dove Award for "Children's Music Album of the Year," and it was Nominated for the 1983 Grammy Award "Best Recording for Children."

Track listing

"When Love Lives in Your Heart" (J. Miller) - soloist Betsy Hernandez

"Tune Up Song" (J. Miller, B. Miller) - soloists Julie Miller and Buddy Miller

"The Greatest Thing of All" (J. Miller) - soloist Nathan Carlson

"Love Never Fails" (J. Miller, R. Krueger) - soloist Buddy Miller

"Glad to Be Me" (J. Miller, B. Miller) - soloist Ben Roberts

"I Was Made for Love" (J. Miller, B. Miller) - soloists Buddy Miller, Julie Miller, Heather Stevens, and Ben Roberts

"Sloop Song" (B. Hernandez, B. Miller) - soloists Wayne Zeitner, Heather Stevens and John Swartzbaugh

"Bee Humble" (S. Simonson) - soloist Jeremy Stevens

"I Love You" (R. Krueger) - soloist Heather Stevens

"Love Waits a Long, Long Time" (F. Hernandez) - soloist Frank Hernandez as Herbert the Snail and Herbert's mom

"Everybody Needs a Lot of Love" (R. Krueger) - soloist Buddy Miller

"I Love You, Lord Jesus" (J. Miller)

Credits

Story by - Agape Force

Executive Producer - Tony Salerno

Producers - Tony Salerno, Fletch Wiley, and Ron Krueger

Arrangers - Fletch Wiley, Buddy Miller

Recording Engineers - Wally Duguid, Brian Tankersley, and Bob Singelton

Recorded at - Rivendell Sound Recorders in Pasadena, Texas, Robin Hood Studio in Tyler, Texas, Easter Song Studio in Garden Valley, Texas, and Omega Audio in Dallas

Mastered at - Future Disc Systems in Hollywood by Steve Hall

Mixing Engineer - Ron Capone

Mixed at - Westwind in Westlake Village, California

Cover and inside art - Mark Pendergrass

Characters

Mr.

Editorial summary

The public source identifies “Music Machine II” as 1983 studio album by Candle. This brief keeps that definition visible, then builds a research path around Music, Machine and studio.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1983, 1977—that can be checked directly. The linked authority record independently contributes the date 1983. Its value is orientation rather than verdict, with Music, Machine and studio providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Music Machine II”, the useful work is to connect “1983 studio album by Candle” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jan 26, 2026. The linked authority identifier is Q6941593. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1983 and 1977.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Music Machine II”, its source revision and the description used here.
  2. Expand the search: follow Music Machine II primary sources, Music Machine II archive and Music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Music Machine II” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.