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Research dossier · Arts & Letters

Murder at the Cannes Film Festival

2000 television film

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 13, 2026
Entity authorityQ3328066 ↗
Source-derived summary

Murder at the Cannes Film Festival is a 2000 television film directed by Harvey Frost, and written by Jeffrey Hatcher, starring French Stewart, Jay Brazeau, Karina Lombard and Bo Derek.

Reception

Variety called it "a clever teleplay".

Editorial summary

Begin with the source’s own compact description: “Murder at the Cannes Film Festival” is 2000 television film. The dossier treats that line as a proposition to test through Murder, Cannes and Film, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2000—that can be checked directly. The linked authority record independently contributes the date 2000-01-01. For this dossier, Murder, Cannes and Film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2000 television film” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 13, 2026. The linked authority identifier is Q3328066. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2000.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Murder at the Cannes Film Festival”, its source revision and the description used here.
  2. Expand the search: follow Murder at the Cannes Film Festival primary sources, Murder at the Cannes Film Festival archive and Murder research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Murder at the Cannes Film Festival”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Murder at the Cannes Film Festival” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.