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Munki

album by The Jesus and Mary Chain

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 10, 2025
Entity authorityQ4044651
Source-derived summary

Munki is the sixth studio album released by Scottish alternative rock band The Jesus and Mary Chain. After leaving Blanco y Negro, the Reid brothers signed to Sub Pop in the U.S. and Creation, who had released their debut single "Upside Down" in 1984, in the UK. Munki peaked at No. 47 in the UK album charts, the band's first studio album not to make the Top 40. It would also be the band's last album for 19 years, as they would release their next studio album Damage and Joy in 2017.

The album features an appearance from Hope Sandoval of Mazzy Star, who had previously duetted with the band on the single "Sometimes Always", and includes the singles "I Hate Rock 'n' Roll" (released in 1995), "Cracking Up" and "I Love Rock 'n' Roll".

Background

The origin of the album title, according to Ben Lurie in an interview with Spin magazine, was that they "wanted an un-Mary Chain-like title...It doesn't mean anything. It's just a word. Misspelled on purpose." In an interview with The Herald, Jim said that their sister Linda suggested it. This was the band's final studio album before their 8-year breakup from October 1999 to June 2007.

The band returned to their original record company, Creation, due to parting with Warner Records, however the band were surprised to see how much their label had changed since they had left the label, Jim Reid said.

Editorial summary

“Munki” enters the record as album by The Jesus and Mary Chain. Crown Archives preserves that source wording while asking what Munki, album and Jesus can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1984, 2017, 1995, 1999—that can be checked directly. The linked authority record independently contributes the date 1998-01-01. Its strongest next move is a source search built around Munki, album and Jesus.
Editorial analysis

Why this record matters

“Munki” is worth following because a concise public description often conceals a longer documentary argument. Here, Munki, album and Jesus provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Dec 10, 2025. The linked authority identifier is Q4044651. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1984, 2017, 1995 and 1999.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Munki”, its source revision and the description used here.
  2. Expand the search: follow Munki primary sources, Munki archive and Munki research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Munki”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Munki” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.