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Mumbai Matinee

2003 film by Anant Balani

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 3, 2026
Entity authorityQ6935289
Source-derived summary

Mumbai Matinee is a 2003 Indian romantic comedy film directed and written by Anant Balani and starring Rahul Bose as a 32-year-old virgin. The film premiered on 26 September 2003 and was also released in the UK. Director Anant Balani died before the film was released on 29 August 2003.

Plot

Debu is a 32-year-old advertising agent but has a serious problem in that he is still a virgin. He meets Baba Hindustani in a hotel who promises to cure him of the teasing he gets from being a virgin. He later meets Nitin Kapoor, a filmmaker who later films him as he works out in the gym and other physical activities. Unaware of what is happening, Kapoor edits the film in such a way to give the impression of Debu as having sex. The film is released and becomes a box office hit, and Debu quickly becomes a sex symbol. He later meets Sonali Verma, a journalist, who helps him through his difficulties, and they later fall in love.

Cast

Rahul Bose as Debashish Chatterjee (Debu)

Perizaad Zorabian as Sonali Verma

Vijay Raaz as Baba Hindustani

Saurabh Shukla as Nitin Kapoor

Anusha Dandekar as Anusha, the temptress

Asrani as Pyarelal

Sanjay Gandhi as Rohan Khanna

Shehzad Khan as Don

Prithvi Zutshi as Police Inspector

Pinky Chinoy as Prostitute

Bakul Thakkar as Roshan Kumar

Soundtrack

Anand Raj Anand - composer of the song "Loot Gaye"

KK

Shantanu Mukherjee

Sonu Nigam

Saswati Phukan

Farhad Wadia

Track list

"Tera Dekh Ke Najara Tobba Tobba Mere Yara (Loot Gaye)" - Shashwati

"Tere Bina Mai Jiu Aise" - Kunal Ganjawala

"Ye Hai Mumbai" - Sonu Nigam

"You" - Shaan

"Bumbai Se Aaya Mera Dost" - Abbey

"Sex Is Good" - K. K.

"Shame" - Joe Alvares

"Tere Bina Mai Jiu Aise (2)" - Kunal Ganjawala

Critical reception

Taran Adarsh of Bollywood Hungama gave the film a rating of 1 out of 5 and said that, "The film has an interesting plot in fact a story like this has never been attempted by an Indian film-maker before but how one wishes the twists and turns in the story were captivating enough to keep you glued right till the climax." Shahshi Matta of PlanetBollywood.com gave the film a rating of 4.5 out of 10 saying that, "The film looks hurriedly put-together and the contemplation's of the protagonist at various points in this film (on love, the gay character, etc.) look like they belong to another film. A film that could have been.

Editorial summary

Begin with the source’s own compact description: “Mumbai Matinee” is 2003 film by Anant Balani. The dossier treats that line as a proposition to test through Mumbai, Matinee and film, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2003—that can be checked directly. The linked authority record independently contributes the date 2003-01-01. For this dossier, Mumbai, Matinee and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2003 film by Anant Balani” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 3, 2026. The linked authority identifier is Q6935289. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2003.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Mumbai Matinee”, its source revision and the description used here.
  2. Expand the search: follow Mumbai Matinee primary sources, Mumbai Matinee archive and Mumbai research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Mumbai Matinee”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Mumbai Matinee” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.