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Alexander Mullenbach

Musician, composer conductor

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 19, 2026
Entity authorityQ4719706 ↗
Source-derived summary

Alexander Mullenbach (born 1949) is a Luxembourgish pianist, composer and conductor. Since 2002, he has been director of the International Summer Academy at the Salzburg in Salzburg.

Career

Born in Luxembourg City on 23 January 1949, Mullenbach studied piano, chamber music and composition at the Conservatoire de Paris and at the Salzburg Mozarteum, where his teachers included Gerhard Wimberger and Cesar Bresgen. From 1970, he taught piano at the Conservatoire de Luxembourg and, from 1981, composition. Since then, he has also taught at the Mozarteum. Since 1978, he has composed over 100 works, of which thirteen for symphony orchestra, as well as an opera. They have been performed at major music festivals in Salzburg, Echternach, Strasbourg, St.Petersburg, London, Vienna and Munich. Performers have included Heinrich Schiff, Boris Pergamenschikow, Marjana Lipovšek, Roberto Fabbriciani, Julius Berger, Alois Brandhofer, Irena Grafenauer, Elliot Fisk, Kurt Widmer, Edoardo Catemario, Tsuyoshi Tsutsumi, Christina Ortiz, Ruggiero Ricci, Roberto Szidon, Edda Silvestri, Gottfried Schneider, Lewis Kaplan, Yair Kless, Frank Wibaut, Antonello Farulli, Frederico Mondelci, Maria Christina Kiehr, Yoko Amoyal, Elena Denisova, Velislava Georgieva, Françoise Groben, Michael Vaiman, Frank Stadler, Iride Martinez, and the ensembles Wiener Streichsextett, Hagen Quartett, Atlas Quartett, Stadler Quartett, Camerata Salzburg, Musica Viva Dresden, Alter Ego Rome, Atelier Musique Nouvelle de Paris, Klangforum Wien, Österreichisches Ensemble für Neue Musik, Wiener Kammerorchester, Philharmonische Virtuosen Berlin, Parnassus Ensemble London, Mozarteum Quartett Salzburg, Vilnius-Quartett, Pierrot Lunaire Ensemble Vienna, Mozarteum Orchester Salzburg; Orchestre Philharmonique du Luxembourg, Rheinische Philharmonie Koblenz, Orchestre de Chambre du Luxembourg "Les Musiciens", Kammerakademie Neuss/Rhein. Conductors who have directed his symphonic works include Ernest Bour, Leopold Hager, Hans Graf and Udo Zimmermann, David Shallon, Stanislaw Skrowaczewski, Philippe Entremont, Hubert Soudant, Hans Graf, Günter Neuhold, Antoni Wit, Emmanuel Krivine, Daniel Raiskin, Jari Hämälainen, Jaap Schroeder, Pierre Cao, Johannes Kalitzke, Marc Soustrot, Sylvain Cambreling.

He was the founder and chairman of the Luxembourg New Music Society LGNM (1983–94).

Editorial summary

Begin with the source’s own compact description: “Alexander Mullenbach” is musician, composer conductor. The dossier treats that line as a proposition to test through Alexander, Mullenbach and Musician, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1949, 2002, 1970, 1981—that can be checked directly. The linked authority record independently contributes the date 1949-01-23. For this dossier, Alexander, Mullenbach and Musician is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “musician, composer conductor” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Jul 19, 2026. The linked authority identifier is Q4719706. VIAF identifies the subject as 6271149296205980670004. The Library of Congress control number is n85307181. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1949, 2002, 1970 and 1981.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Alexander Mullenbach”, its source revision and the description used here.
  2. Expand the search: follow Alexander Mullenbach primary sources, Alexander Mullenbach archive and Alexander research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Alexander Mullenbach”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Alexander Mullenbach” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.