Papito (album)
2007 studio album by Miguel Bosé

Papito (lit. "Daddy") is an album released by Spanish pop singer Miguel Bosé to celebrate his 30 years in the Music industry. The album includes 14 tracks of previously known hit songs by the artist, in reworked versions in collaboration with many artists including Juanes, Shakira, Amaia Montero, Ricky Martin, Laura Pausini, Paulina Rubio, Alaska, Julieta Venegas, Michael Stipe, Bimba Bosé, David Summers, Ivete Sangalo and Italian singer Mina.
Recording
According to the album booklet, this is the biggest music project ever completed in Spain. To make this album, the recording sessions lasted 10 months, Mr. Bosé had to travel 80,000 km by plane whilst his crew traveled even more: 130,000 km. They used 80 plane tickets, 152 hotel rooms and 38 rental cars, 15,000 phone calls were made and 10,000 e-mails were sent to make this project.
2,977 digital tracks were recorded during 2,234 hours in 19 different studios in eight cities, seven producers were involved, 14 sound engineers, 25 assistants and 87 musicians.
Packaging
There are two versions of Papito: the standard edition with 15 tracks, and the special edition with another CD containing 15 previously recorded duets with same number of artists.
Awards
On August 29, 2007, this album received four Latin Grammy nominations for Album of the Year, Record of the Year for "Nena" (his collaboration with Paulina Rubio), Best Pop Vocal Album, Male and Carlos Jean got a nod for his work producing this album, winning none.
“Papito (album)” enters the record as 2007 studio album by Miguel Bosé. Crown Archives preserves that source wording while asking what Papito, album and studio can confirm, complicate or overturn.
Why this record matters
“Papito (album)” is worth following because a concise public description often conceals a longer documentary argument. Here, Papito, album and studio provides the most credible route into that argument.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 9, 2026. The linked authority identifier is Q3894892. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2007.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Papito (album)”, its source revision and the description used here.
- Expand the search: follow Papito (album) primary sources, Papito (album) archive and Papito research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Papito (album)”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Papito (album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.