CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Monument with Standing Beast

sculpture by Jean Dubuffet

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 26, 2026
Entity authorityQ6906917
Source-derived summary

Monument with Standing Beast is a sculpture by Jean Dubuffet previously located in front of the James R. Thompson Center in the Loop community area of Chicago, Illinois.

History and description

It was across the street from Chicago City Hall to the South and diagonal across the street from the Daley Center to the southeast. Weighing 10 short tons (8.9 long tons; 9.1 t), the structure was made of fiberglass and was 29 feet (8.8 m) tall. It was unveiled on November 28, 1984. The state government announced plans to relocate the sculpture after Alphabet Inc. acquired the building in 2022. It was dismantled in the spring of 2024 and was bound for a state warehouse.

This is one of Dubuffet's three monumental sculpture commissions in the United States. It has been taken to represent a standing animal, a tree, a portal and an architectural form. The sculpture is based on Dubuffet's 1960 painting series Hourloupe.

Editorial summary

Begin with the source’s own compact description: “Monument with Standing Beast” is sculpture by Jean Dubuffet. The dossier treats that line as a proposition to test through Monument, Standing and Beast, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1984, 2022, 2024, 1960—that can be checked directly. The linked authority record independently contributes the date 1984-01-01. For this dossier, Monument, Standing and Beast is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “sculpture by Jean Dubuffet” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 26, 2026. The linked authority identifier is Q6906917. Authority coordinates are 41.885, -87.631. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1984, 2022, 2024 and 1960.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Monument with Standing Beast”, its source revision and the description used here.
  2. Expand the search: follow Monument with Standing Beast primary sources, Monument with Standing Beast archive and Monument research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Monument with Standing Beast”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Monument with Standing Beast” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.