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Monsters of Grace

chamber opera composed by Philip Glass

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 21, 2026
Entity authorityQ2201977
Source-derived summary

Monsters of Grace is a multimedia chamber opera in 13 short acts directed by Robert Wilson, with music by Philip Glass and libretto from the works of 13th-century Sufi mystic Jalaluddin Rumi. The title is said to be a reference to Wilson's corruption of a line from Hamlet: "Angels and ministers of grace defend us!" (1.4.39).

Creation of the opera

Originally, Wilson intended the fantastical scenarios he envisioned to actually be staged. When he realized the enormous costs and effort that would be involved in performing such a project (which included such tableaux as a gigantic hand pulling a sword from the ocean and a helicopter flying over the Great Wall of China), Wilson and producer Jed Wheeler began looking into creating the entire visual end of the production with 3D computer graphics. Wheeler eventually awarded the contract for the visual effects to the Kleiser-Walczak Construction Co., a firm that specializes in computer animation for movies.

One major drawback that seems to have been the project's main flaw was the length of time required for creating and rendering the animation. It took twenty animators almost a full year to complete the footage based on Wilson's original intent. Wilson, who has been described as liking to maintain great control over his projects and to change details at the last minute, gradually grew frustrated upon seeing how much time was required to change the animations, and ended up distancing himself from the animators. This led to a final product that, from his standpoint, was unpolished. In an interview with the New York Times, he remarked, "This is like being a dog with a litter of puppies that went away six weeks later. . . .

Editorial summary

The public source identifies “Monsters of Grace” as chamber opera composed by Philip Glass. This brief keeps that definition visible, then builds a research path around Monsters, Grace and chamber.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current 283-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The linked authority record independently contributes the date 1997-01-01. Its value is orientation rather than verdict, with Monsters, Grace and chamber providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Monsters of Grace”, the useful work is to connect “chamber opera composed by Philip Glass” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 21, 2026. The linked authority identifier is Q2201977. The Library of Congress control number is n2005042260. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Monsters of Grace”, its source revision and the description used here.
  2. Expand the search: follow Monsters of Grace primary sources, Monsters of Grace archive and Monsters research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Monsters of Grace”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Monsters of Grace” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.