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Monster (David Thomas album)

David Thomas album

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 24, 2025
Entity authorityQ6902657
Source-derived summary

Monster is a box set anthologizing David Thomas's solo career from the years 1981–1987, during which time his main vehicle, Pere Ubu, was inactive. 'Variations On A Theme' has been remixed and rearranged from its original forms. On its release in 1997, the box included a contemporary live disc entitled "Meadville" by Thomas's group the Two Pale Boys; as of the current 2002 reissue, that disc has been excised, anticipating a future standalone release.

Track listing

CD1 - The Sound of the Sand

"The Birds Are a Good Idea" – 1:58

"Yiki Tiki" – 2:16

"Crickets in the Flats" – 4:58

"Sound of the Sand" – 3:27

"The New Atom Mine" – 5:14

"Big Dreams" – 2:21

"Happy to See You" – 3:32

"Crush This Horn, Part 2" – 1:49

"Confuse Did" – 2:32

"Sloop John B" – 5:09

"Man's Best Friend" – 4:28

CD2 - Variations on a Theme

"A Day at the Botanical Gardens" (1983 mix) – 3:44 (extra track on the 2002 reissue)

"Bird Town" – 2:44

"Pedestrian Walk" (1983 mix) – 4:17 (extra track on the 2002 reissue)

"The Egg & I" – 2:55

"Who Is It?" – 3:40

"Song of the Hoe" – 6:03

"Hurry Back" – 4:20

"The Rain" (1983 mix) – 3:48 (extra track on the 2002 reissue)

"Semaphore" – 5:11

"A Day at the Botanical Gardens" – 3:21

"Pedestrian Walk" – 4:31

"Hurry Back" (1983 mix) – 3:57 (extra track on the 2002 reissue)

"The Rain" – 5:18

CD3 - More Places Forever

"Through The Magnifying Glass" – 2:58

"Enthusiastic" – 4:46

"Whale Head King" – 5:50

"Song of the Bailing Man" – 4:42

"Big Breezy Day" – 3:23

"The Farmer's Wife" – 4:32

"New Broom" – 4:21

"About True Friends" – 4:35 (the original version on vinyl is approximately 5:00 long and has an accapella introduction.

Editorial summary

Begin with the source’s own compact description: “Monster (David Thomas album)” is david Thomas album. The dossier treats that line as a proposition to test through Monster, David and Thomas, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1981, 1987, 1997, 2002—that can be checked directly. The linked authority record independently contributes the date 1997-06-23. For this dossier, Monster, David and Thomas is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “david Thomas album” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 24, 2025. The linked authority identifier is Q6902657. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1981, 1987, 1997 and 2002.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Monster (David Thomas album)”, its source revision and the description used here.
  2. Expand the search: follow Monster (David Thomas album) primary sources, Monster (David Thomas album) archive and Monster research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Monster (David Thomas album)”?
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  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Monster (David Thomas album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.