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Bajaga

Serbian rock musician

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 1, 2026
Entity authorityQ1280870 ↗
Source-derived summary

Momčilo Bajagić (Serbian Cyrillic: Момчило Бајагић; born 19 February 1960), better known by his nickname Bajaga (Serbian Cyrillic: Бајага), is a Serbian rock musician. Bajagić is best known as the frontman of Serbian and former Yugoslav rock band Bajaga i Instruktori, as well as a former member of rock band Riblja Čorba.

Career

Early years

Bajagić started his musical activity as a singer in a band called TNT. He wrote his first lyrics, song "Dvadeseta noć" ("Twentieth Night"), as a member of this band.

After TNT disbanded in 1976, Bajagić joined Ofi, a band led by organist Toma "Ofinger" Stojković.

After Stojković left the group, Bajagić and the remaining two Ofi members—drummer Dragan "Đera" Đerić and vocalist Živorad "Žika" Milenković—formed Glogov Kolac (Hawthorn Stake) together with guitarist Rajko Kojić. The band's debut live performance, in the Banat village of Izbište, turned out to be their last as Glogov Kolac disbanded too. Seventeen-year-old Bajagić then turned down Boban Petrović's invitation to join his disco-funk act Zdravo, while Kojić joined the band S.O.S. and eventually Riblja Čorba.

Riblja Čorba

In 1978, on a suggestion from Rajko Kojić (by then lead guitarist in Riblja Čorba), Bajagić was invited to audition for the recently formed band as they had decided to add a rhythm guitarist in order to tighten the sound. Bajagić recorded six albums with Riblja Čorba. He wrote songs "Ja sam se ložio na tebe" ("I Was Crushing on You"), "Baby, Baby I Don't Wanna Cry", "Muzičari koji piju" ("Musicians Who Drink") and "Kad hodaš" ("When You're Walking").

Editorial summary

The public source identifies “Bajaga” as serbian rock musician. This brief keeps that definition visible, then builds a research path around Bajaga, Serbian and rock.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1960, 1976, 1978—that can be checked directly. The linked authority record independently contributes the date 1960-02-19. Its value is orientation rather than verdict, with Bajaga, Serbian and rock providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Bajaga”, the useful work is to connect “serbian rock musician” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 1, 2026. The linked authority identifier is Q1280870. VIAF identifies the subject as 75796117. The Library of Congress control number is n2008083265. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1960, 1976 and 1978.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Bajaga”, its source revision and the description used here.
  2. Expand the search: follow Bajaga primary sources, Bajaga archive and Bajaga research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Bajaga”?
  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Bajaga” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.