Added tone chord
chord made of a tertian triad and a miscellaneous fourth note

An added tone chord, or added note chord, is a non-tertian chord composed of a triad and one or more extra "added" notes. Any tone that is not a seventh is commonly categorized as an added tone. It can be outside the tertian sequence of ascending thirds from the root, such as the added sixth or fourth, or it can be in a chord that does not consist of a continuous stack of thirds, such as the added thirteenth (six thirds from the root, but the chord does not have the previous tertian notes – the seventh, ninth or eleventh). The concept of added tones is convenient in that all notes may be related to familiar chords.
Inversions of added tone chords where the added tone is the bass note are usually simply notated as slash chords instead of added tone chords. For example, instead of Cadd2/D, just C/D is used.
An added tone such as fourth voiced below the root may suggest polytonality. The practice of adding tones may have led to superimposing chords and tonalities, though added tone chords have most often been used as more intense substitutes for traditional chords.
Added tone chords
Added second or ninth chords
An added second chord (or add2 chord) or added ninth chord (or add9 chord) is a major or minor triad with the note a major second or major ninth, respectively, above the root. For example, the add2 chord built on C, notated as Cadd2, has pitches C–D–E–G:
Since this is the same pitch class, the difference is the voicing of the added note within the chord.
“Added tone chord” enters the record as chord made of a tertian triad and a miscellaneous fourth note. Crown Archives preserves that source wording while asking what Added, tone and chord can confirm, complicate or overturn.
Why this record matters
“Added tone chord” is worth following because a concise public description often conceals a longer documentary argument. Here, Added, tone and chord provides the most credible route into that argument.
Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Mar 16, 2026. The linked authority identifier is Q381065. None of the 0 selected statements returned an explicit reference.
A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Added tone chord”, its source revision and the description used here.
- Expand the search: follow Added tone chord primary sources, Added tone chord archive and Added research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Added tone chord”?
- Which institution is responsible for the underlying evidence?
- What terminology or title could unlock a more precise catalogue search?
Search terms from this dossier
This entry incorporates text from “Added tone chord” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.