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Mireille Mazraani

Lebanese television presenter

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 18, 2025
Entity authorityQ22690298 ↗
Source-derived summary

Mireille Mazraani is a Lebanese television and radio shows presenter and media person, she got known for her loud laugh.

Biography

She was born in Beirut, where she studied journalism and media. She was married to deceased Fawzi Al-Hasri and has two daughters Nidal and Maghda.

Radio

Her start was at Voice of Lebanon Radio (VDL), where she was working next to her home in Ashrafieh. Then she moved to Radio Lebanon Free (إذاعة لبنان الحر). At that time, the beginnings were very difficult, and she underwent training for two years before she was launched on the air. She was on the air and he used to tell her your voice was inappropriate, and he was asking her to work in the archives, it was a period of war, and she would stay for several days on the radio without being able to see my family, and sometimes I left the radio at midnight and the bombs were pouring into the sea in front of her, and there was no one on the road .

Television

She entered the field of television media in 1990 to present her first game and competition show Bab El Haz (باب الحظ) with Riad Sharara on the LBC with the director Simon Asmar, who had believed in her talents. After the death of Riad Sharara, she continued to present games programs on her own, then she moved MTV until the year 2000 when the closure of the station because of the decision of the Lebanese government. She presented a program entitled Ya Lail Ya Ain on the screen of MBC. In 2006, she also presented two programs on Future TV. She went away for several years and returned in 2010 to the same station to present the "Adham Shi" program.

Editorial summary

This brief starts where responsible research should: with the source description of “Mireille Mazraani” as lebanese television presenter. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1990, 2000, 2006, 2010—that can be checked directly. The linked authority record independently contributes the date 2000-01-01. The account is most persuasive where Mireille, Mazraani and Lebanese can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as lebanese television presenter. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Nov 18, 2025. The linked authority identifier is Q22690298. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1990, 2000, 2006 and 2010.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Mireille Mazraani”, its source revision and the description used here.
  2. Expand the search: follow Mireille Mazraani primary sources, Mireille Mazraani archive and Mireille research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Mireille Mazraani”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Mireille Mazraani” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.