Demetrios Farmakopoulos
Greek artist (1919-1996)

Demetrios Farmakopoulos, (Δημήτριος Φαρμακόπουλος),(1919–1996), also known as Mimis Farmakopoulos. An influential Greek painter whose main recurring theme is space and the future.
Introduction
Born in Athens, in 1919 and graduated from the Athens School of Fine Arts winning first prize in nude paintings.
During World War II, Farmakopoulos served in the Greek Army and later joined the group EAM during the Greek Resistance against the occupation of Greece by Nazi Germany.
Since then, Farmakopoulos had a great artistic career and numerous exhibitions in Greece and in South America, especially Brazil where he spent a number of years.
His main theme is celestial phenomena, space and the distant future.
During his stay in Brazil, he studied at the Academy of Fine Arts of Rio de Janeiro where he took courses in Interior Design and Stagecraft. Thereafter he was the head set designer for many years in television, dance halls and Brazilian Carnivals.
Exhibitions
1949 Zappeion - Panhellenic Exhibition of Greek Crafts - Athens, Greece
1952 Outdoor Exhibition - Kifisia, Greece
1957 Salao Nacional de Belas Artes - Rio de Janeiro, Brazil
1958 Salao do Mar - Rio de Janeiro, Brazil
1958 Museu Arte Monterna - Em Goiania - Brazil
1959 Coletiva do Turismo - Rio de Janeiro, Brazil
1960 Α.Σ.Μ. - Rio de Janeiro, Brazil
1961 "Toca" Galeri - Rio de Janeiro, Brazil
1962 "Toca" Galeri - Rio de Janeiro, Brazil
1963 Instituto Brasil-USA - Brazil
1964 Casueiruem - Vitoria, Brazil
1966 Salao Nacional E.S. - Vitoria, Brazil
1967 Salao Nacional E.S. - Vitoria, Brazil
1967 Museu Arte Monterna - Rio de Janeiro, Brazil
1969 Galeri "Sao Sermain" - Rio de Janeiro, Brazil
1969 Galeri "Rico Rico" - Rio de Janeiro, Brazil
1970 Transantlantic ship "Augusto" - en route
1971 Piraeus Carnival - Greece
1972 Rotonda - Athens, Greece
1973 Center of Cultural Cooperation - Athens, Greece
1973 Panhellenic Exhibition - Athens, Greece
1974 New Thought - Athens, Greece
1974 Center of Cultural Cooperation - Athens, Greece
1975 Panhellenic Exhibition - Athens, Greece
1975 New Thought - Athens, Greece
1975 Ministry of Culture - Week of Art - Athens, Greece
1976 New Thought - Athens, Greece
1976 EPASKT - Athens, Greece
1977 "Dawn" Festival - Athens, Greece
1978 Firka Museum - Panhellenic Painting Exhibition - Chania, Greece
1978 Athens Cultural Center - 2001 - Athens, Greece
1979 O.S.E. - Athens, Greece
1980 Gallery "Simvoli" - Athens, Greece
1980 Gallery "Modern Art Team" - Athens, Greece
1980 KNE Festival - Peristeri, Greece
1981 Cooperative of Artists - Athens, Greece
1981 Patissia Artists - Civilizing Movement - Athens, Greece
1986 Athens, Greece
1998 Gallery "Artbus" - Chalandri, Greece
2002 Gallery "Antinor" - Athens, Greece
Sources
"Messages from Space" - 2002
"Εικόνες από το παρελθόν "τα μαγαζιά της συνοικίας" στην Πινακοθήκη "Ψυχάρη 36" | Kathimerini". Retrieved 2015-06-08.
Begin with the source’s own compact description: “Demetrios Farmakopoulos” is greek artist (1919-1996). The dossier treats that line as a proposition to test through Demetrios, Farmakopoulos and Greek, not as a finished interpretation.
Why this record matters
The phrase “greek artist (1919-1996)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jun 22, 2026. The linked authority identifier is Q1185506. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1919, 1996, 1949 and 1952.
Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Demetrios Farmakopoulos”, its source revision and the description used here.
- Expand the search: follow Demetrios Farmakopoulos primary sources, Demetrios Farmakopoulos archive and Demetrios research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Demetrios Farmakopoulos”?
- Which primary records establish identity, chronology and institutional ties?
- How has the subject’s reputation changed across later accounts?
Search terms from this dossier
This entry incorporates text from “Demetrios Farmakopoulos” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.