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Demetrios Farmakopoulos

Greek artist (1919-1996)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 22, 2026
Entity authorityQ1185506 ↗
Source-derived summary

Demetrios Farmakopoulos, (Δημήτριος Φαρμακόπουλος),(1919–1996), also known as Mimis Farmakopoulos. An influential Greek painter whose main recurring theme is space and the future.

Introduction

Born in Athens, in 1919 and graduated from the Athens School of Fine Arts winning first prize in nude paintings.

During World War II, Farmakopoulos served in the Greek Army and later joined the group EAM during the Greek Resistance against the occupation of Greece by Nazi Germany.

Since then, Farmakopoulos had a great artistic career and numerous exhibitions in Greece and in South America, especially Brazil where he spent a number of years.

His main theme is celestial phenomena, space and the distant future.

During his stay in Brazil, he studied at the Academy of Fine Arts of Rio de Janeiro where he took courses in Interior Design and Stagecraft. Thereafter he was the head set designer for many years in television, dance halls and Brazilian Carnivals.

Exhibitions

1949 Zappeion - Panhellenic Exhibition of Greek Crafts - Athens, Greece

1952 Outdoor Exhibition - Kifisia, Greece

1957 Salao Nacional de Belas Artes - Rio de Janeiro, Brazil

1958 Salao do Mar - Rio de Janeiro, Brazil

1958 Museu Arte Monterna - Em Goiania - Brazil

1959 Coletiva do Turismo - Rio de Janeiro, Brazil

1960 Α.Σ.Μ. - Rio de Janeiro, Brazil

1961 "Toca" Galeri - Rio de Janeiro, Brazil

1962 "Toca" Galeri - Rio de Janeiro, Brazil

1963 Instituto Brasil-USA - Brazil

1964 Casueiruem - Vitoria, Brazil

1966 Salao Nacional E.S. - Vitoria, Brazil

1967 Salao Nacional E.S. - Vitoria, Brazil

1967 Museu Arte Monterna - Rio de Janeiro, Brazil

1969 Galeri "Sao Sermain" - Rio de Janeiro, Brazil

1969 Galeri "Rico Rico" - Rio de Janeiro, Brazil

1970 Transantlantic ship "Augusto" - en route

1971 Piraeus Carnival - Greece

1972 Rotonda - Athens, Greece

1973 Center of Cultural Cooperation - Athens, Greece

1973 Panhellenic Exhibition - Athens, Greece

1974 New Thought - Athens, Greece

1974 Center of Cultural Cooperation - Athens, Greece

1975 Panhellenic Exhibition - Athens, Greece

1975 New Thought - Athens, Greece

1975 Ministry of Culture - Week of Art - Athens, Greece

1976 New Thought - Athens, Greece

1976 EPASKT - Athens, Greece

1977 "Dawn" Festival - Athens, Greece

1978 Firka Museum - Panhellenic Painting Exhibition - Chania, Greece

1978 Athens Cultural Center - 2001 - Athens, Greece

1979 O.S.E. - Athens, Greece

1980 Gallery "Simvoli" - Athens, Greece

1980 Gallery "Modern Art Team" - Athens, Greece

1980 KNE Festival - Peristeri, Greece

1981 Cooperative of Artists - Athens, Greece

1981 Patissia Artists - Civilizing Movement - Athens, Greece

1986 Athens, Greece

1998 Gallery "Artbus" - Chalandri, Greece

2002 Gallery "Antinor" - Athens, Greece

Sources

"Messages from Space" - 2002

"Εικόνες από το παρελθόν "τα μαγαζιά της συνοικίας" στην Πινακοθήκη "Ψυχάρη 36" | Kathimerini". Retrieved 2015-06-08.

Editorial summary

Begin with the source’s own compact description: “Demetrios Farmakopoulos” is greek artist (1919-1996). The dossier treats that line as a proposition to test through Demetrios, Farmakopoulos and Greek, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1919, 1996, 1949, 1952—that can be checked directly. The linked authority record independently contributes the date 1919-05-22. For this dossier, Demetrios, Farmakopoulos and Greek is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “greek artist (1919-1996)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jun 22, 2026. The linked authority identifier is Q1185506. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1919, 1996, 1949 and 1952.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Demetrios Farmakopoulos”, its source revision and the description used here.
  2. Expand the search: follow Demetrios Farmakopoulos primary sources, Demetrios Farmakopoulos archive and Demetrios research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Demetrios Farmakopoulos”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Demetrios Farmakopoulos” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.