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Miloš Bajić (painter)

Serbian painter and Nazi concentration camp survivor

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 13, 2026
Entity authorityQ18630813 ↗
Source-derived summary

Miloš Bajić (Serbian Cyrillic: Милош Бајић; 1915–1995) was a Serbian Modernist painter, who is considered to be the founder of abstract painting in Yugoslavia.

Early life

Miloš Bajić was born in 1915 in Resanovci, a village in the Condominium of Bosnia and Herzegovina in Austria-Hungary (now Bosnia and Herzegovina). In 1922, Bajić moved to Belgrade, the capital of Yugoslavia (now Serbia), where he completed grammar school and teacher school. As a student, he published illustrations and caricatures in the daily Politika and satirical magazine Ošišani jež. In 1935, Bajić became one of Petar Dobrović's students, finishing his first year in Beta Vukanović's class at the Belgrade School of Arts in 1937.

World War II

After Kingdom of Yugoslavia was invaded by the Axis powers of Germany, Italy, Hungary, and Bulgaria in 1941, Bajić joined the Partisans, Yugoslav anti-Nazi resistance movement. Occupying forces captured him in Belgrade in October 1942 and imprisoned him in Banjica Concentration Camp. In September 1944, he was transferred to Mauthausen concentration camp.

While in detention, Bajić captured the scenes from prison life as drawings. and later said about his work:

"In the concentration camp, drawing was my way of daring fate.

Editorial summary

This brief starts where responsible research should: with the source description of “Miloš Bajić (painter)” as serbian painter and Nazi concentration camp survivor. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1915, 1995, 1922, 1935—that can be checked directly. The linked authority record independently contributes the date 1915. The account is most persuasive where Miloš, Bajić and painter can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as serbian painter and Nazi concentration camp survivor. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Mar 13, 2026. The linked authority identifier is Q18630813. VIAF identifies the subject as 306199565. The Library of Congress control number is no2017034093. 1 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1915, 1995, 1922 and 1935.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from “Miloš Bajić (painter)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.