Mikhail Kuznetsov (actor)
Soviet film and theatre actor (1918–1986)

Mikhail Artemyevich Kuznetsov (Russian: Михаил Артемьевич Кузнецов; 25 February 1918 – 23 August 1986) was a Soviet film and theater actor. He was an Honored Artist of the Ukrainian SSR (1955), People's Artist of the RSFSR (1964), and the winner of the Stalin Prize of the first degree (1952).
He was born into a proletariat family. After the death of his father, he and his mother moved to the village of Tikhoretskaya. He first received small roles, working his way up to the role of Truffaldino. At some point, he and his mother moved to Moscow, and he completed his education in a professional technical school. He desired to study acting, but was not allowed to abandon work to try out for theater, so he burnt his hand with acid in order to be allowed to leave. He began to study at the Stanislavsky Opera and Drama Studio under Konstantin Stanislavsky in 1937. He was also talented at singing – opera singer Antonina Nezhdanova described him as having a "pleasant baritone".
His debut role was in Mikhail Gavronski's 1940 film The Friends (Russian: Приятели, romanized: Priyateli).
“Mikhail Kuznetsov (actor)” enters the record as soviet film and theatre actor (1918–1986). Crown Archives preserves that source wording while asking what Mikhail, Kuznetsov and actor can confirm, complicate or overturn.
Why this record matters
“Mikhail Kuznetsov (actor)” is worth following because a concise public description often conceals a longer documentary argument. Here, Mikhail, Kuznetsov and actor provides the most credible route into that argument.
The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Jun 10, 2026. The linked authority identifier is Q4245008. VIAF identifies the subject as 61858136. The Library of Congress control number is no2013040625. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1918, 1986, 1955 and 1964.
Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Mikhail Kuznetsov (actor)”, its source revision and the description used here.
- Expand the search: follow Mikhail Kuznetsov (actor) primary sources, Mikhail Kuznetsov (actor) archive and Mikhail research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Mikhail Kuznetsov (actor)”?
- How has the subject’s reputation changed across later accounts?
- Which claims depend on a single source or contested interpretation?
Search terms from this dossier
This entry incorporates text from “Mikhail Kuznetsov (actor)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.