CACrown ArchivesThe cinema collection
Menu
Research dossier · People & Ideas

Léon Melchissédec

French opera singer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 29, 2025
Entity authorityQ6711099 ↗
Source-derived summary

Léon Melchissédec (born Clermont Ferrand, 7 May 1843, died Neuilly-sur-Seine 23 March 1925) was a French baritone who enjoyed a long career in the French capital across a broad range of operatic genres, and later made some recordings and also taught at the Paris Conservatoire.

Life and career

He played second violin in the Théâtre de Saint-Étienne before coming to Paris to study.

After classes with Alkan, Puget, Mocker and Levasseur at the Paris Conservatoire, where he won a first prize in 1865, he made his debut at the Paris Opéra-Comique on 16 July 1866 in Cohen's José Maria.

Remaining at the Opéra-Comique until 1877, Melchissédec’s repertoire included Les Absents, Le premier jour de bonheur, Lalla-Roukh, Robinson Crusoé, Les dragons de Villars, Le pré aux clercs, Fantasio, Mireille, Richard Cœur de Lion and Le caïd. In 1873 he became the first true baritone to sing the title role of Zampa (as opposed to a singer of mixed voice).

He moved next to the Théâtre-Lyrique, singing in Dimitri, Le capitaine Fracasse and the premieres of Paul et Virginie and Le timbre d’argent. In 1879 he joined the Paris Opéra, making his debut as Nevers in Les Huguenots on 17 November 1879. His repertoire there included Guillaume Tell, L'Africaine, La Favorite, Rigoletto, Faust, and he created roles in Le Tribut de Zamora, Tabarin, and Le Cid. Having sung Capulet in the first performance of Roméo et Juliette at the Opéra-Comique in 1873, he sang Mercutio when it transferred to the repertory of the Opéra.

Melchissédec left the Opéra in 1891 but rejoined from 1905–12, having become a professor of déclamation lyrique at the Paris Conservatoire in 1894.

Editorial summary

“Léon Melchissédec” enters the record as french opera singer. Crown Archives preserves that source wording while asking what Léon, Melchissédec and French can confirm, complicate or overturn.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1843, 1925, 1865, 1866—that can be checked directly. The linked authority record independently contributes the date 1843-05-07. Its strongest next move is a source search built around Léon, Melchissédec and French.
Editorial analysis

Why this record matters

“Léon Melchissédec” is worth following because a concise public description often conceals a longer documentary argument. Here, Léon, Melchissédec and French provides the most credible route into that argument.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated May 29, 2025. The linked authority identifier is Q6711099. VIAF identifies the subject as 775152. The Library of Congress control number is nr99039651. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1843, 1925, 1865 and 1866.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Léon Melchissédec”, its source revision and the description used here.
  2. Expand the search: follow Léon Melchissédec primary sources, Léon Melchissédec archive and Léon research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Léon Melchissédec”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which claims depend on a single source or contested interpretation?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Léon Melchissédec” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.