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Meet the Eels: Essential Eels, Vol. 1 (1996–2006)

compilation album by Eels

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 6, 2026
Entity authorityQ6807839
Source-derived summary

Meet the Eels: Essential Eels, Vol. 1 (1996–2006) is a greatest hits compilation to celebrate the tenth anniversary of rock band Eels, featuring a DVD of music videos, behind-the-scenes photos, and commentary by Mark Oliver Everett. It was released on January 15, 2008 in the United States and January 21, 2008 in the United Kingdom, where it debuted on the UK Album Chart at #26.

It was released in conjunction with the B-sides collection Useless Trinkets: B-Sides, Soundtracks, Rarities and Unreleased 1996–2006 and followed by Eels So Good: Essential Eels, Vol. 2 (2007–2020) in 2023.

Track listing

CD

All songs written by E, except where noted:

"Novocaine for the Soul" (E and Mark Goldenberg) – 3:07

"Susan's House" (E, Jim Jacobsen, and Jim Weatherly) – 3:56

"My Beloved Monster" – 2:12

"Your Lucky Day in Hell" (E and Goldenberg) – 4:28

"3 Speed" – 2:45

"Last Stop: This Town" (E and Michael Simpson) – 3:28

"Climbing to the Moon" (Jon Brion Remix) – 3:56

"Flyswatter" – 3:17

"I Like Birds" – 2:33

"Mr. E's Beautiful Blues" (E and Simpson) – 4:01

"It's a Motherfucker" – 2:14

"Souljacker part I" (Butch, E, and Adam Siegel) – 3:16

"That's Not Really Funny" (E and John Parish) – 3:19

"Fresh Feeling" (E and Koool G Murder) – 3:39

"Get Ur Freak On" (Missy Elliott, Ludacris, and Timbaland) – 3:29

"Saturday Morning" (E and Koool G Murder) – 2:55

"Love of the Loveless" – 3:32

"Dirty Girl" (Live at Town Hall) – 3:00

"I Need Some Sleep" – 2:29

"Hey Man (Now You're Really Living)" – 3:02

"I'm Going to Stop Pretending That I Didn't Break Your Heart" – 3:55

"Trouble with Dreams" – 4:34

"Railroad Man" (Edit) – 3:38

"Losing Streak" – 2:50

DVD

"Novocaine for the Soul"

"Susan's House"

"Rags to Rags"

"Your Lucky Day in Hell"

"Last Stop: This Town"

"Cancer for the Cure"

"Flyswatter"

"Souljacker part I"

"Saturday Morning"

"Hey Man (Now You're Really Living)"

"Trouble with Dreams"

"Dirty Girl" (Live at Town Hall)

Original releases for tracks

1–4: Beautiful Freak

5–6: Electro-Shock Blues

7: previously unreleased, original version on Electro-Shock Blues

8–11: Daisies of the Galaxy

12–14: Souljacker

15: previously unreleased cover of Missy Elliott, from the album Miss E... So Addictive

16–17: Shootenanny!

Editorial summary

This brief starts where responsible research should: with the source description of “Meet the Eels: Essential Eels, Vol. 1 (1996–2006)” as compilation album by Eels. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1996, 2006, 2008, 2007—that can be checked directly. The linked authority record independently contributes the date 2008. The account is most persuasive where Meet, Eels and Essential can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as compilation album by Eels. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jul 6, 2026. The linked authority identifier is Q6807839. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1996, 2006, 2008 and 2007.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Meet the Eels: Essential Eels, Vol. 1 (1996–2006)”, its source revision and the description used here.
  2. Expand the search: follow Meet the Eels: Essential Eels, Vol. 1 (1996–2006) primary sources, Meet the Eels: Essential Eels, Vol. 1 (1996–2006) archive and Meet research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Meet the Eels: Essential Eels, Vol. 1 (1996–2006)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Meet the Eels: Essential Eels, Vol. 1 (1996–2006)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.