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Leonard McComb

British painter (1930–2018)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 13, 2025
Entity authorityQ21453581 ↗
Source-derived summary

Leonard William Joseph McComb (3 August 1930 – 19 June 2018) was a Scottish artist. He described his work as visual abstractions after nature. He was very interested in the detail in nature and declared that everything he drew or painted, whether a portrait head, flower, landscape, still life, or breaking sea wave, was, for him, a portrait.

Education

Leonard McComb studied at Manchester School of Art and subsequently at the Slade School of Fine Art from 1956 to 1959, followed by a Postgraduate in sculpture, also at the Slade, in 1960. He went on to teach at various art schools, including Oxford Brookes University, Sir John Cass College, Slade School of Fine Art, Royal College of Art and Goldsmiths College, and in 1974 he founded the Sunningwell School of Art, Oxford.

Biography

He was a versatile artist who celebrated working in various media and was unusual amongst his contemporaries in being represented in the Tate Gallery Collection with works in oil, watercolour, and print, as well as sculpture. His sculpture, Young Man Standing, also known as the Golden Man (Tate Gallery), was the subject of National controversy when it was withdrawn from exhibition in Lincoln Cathedral as it was considered indecent by a senior cathedral cleric.

Having destroyed most of his early work, McComb was included in the exhibition, The Human Clay, held at the Hayward Gallery in 1976; his first solo show was held the following year at the Coracle Press. In 1983, an Arts Council touring exhibition, entitled Leonard McComb Drawing Painting Sculpture, was organised by the Museum of Modern Art, Oxford and shown at the Serpentine Gallery, London; City Art Gallery, Manchester; Gardner Arts Centre, University of Sussex; and the Fruit Market Gallery, Edinburgh. His work continued to be exhibited in many important group shows, including the Whitechapel Art Gallery in 1982, the Tate Gallery in 1984, the Hirshhorn Museum, Washington D.C. in 1986, and the Museum of Modern Art, Brussels in 1987.

Editorial summary

The public source identifies “Leonard McComb” as british painter (1930–2018). This brief keeps that definition visible, then builds a research path around Leonard, McComb and British.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1930, 2018, 1956, 1959—that can be checked directly. The linked authority record independently contributes the date 1930-01-01. Its value is orientation rather than verdict, with Leonard, McComb and British providing the first useful test.
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A short description can identify a subject without explaining its stakes. For “Leonard McComb”, the useful work is to connect “british painter (1930–2018)” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Nov 13, 2025. The linked authority identifier is Q21453581. VIAF identifies the subject as 261912542. The Library of Congress control number is n84058983. 1 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1930, 2018, 1956 and 1959.

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Source & attribution

This entry incorporates text from “Leonard McComb” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.