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McCaull Comic Opera Company

American opera company

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionOct 8, 2025
Entity authorityQ6800255
Source-derived summary

The McCaull Comic Opera Company, also called the McCaull Opera Comique Company, was an American theatral production company founded by Colonel John A. McCaull in 1880. The company produced operetta, comic opera and musical theatre in New York City and on tour in the eastern and midwestern U.S. and Canada until McCaull's death in 1894. It nurtured such stars, in their early careers, as Lillian Russell and DeWolf Hopper.

History

Early years

McCaull (1846–1894) was born in Scotland. He served as a colonel in the Confederate Army and later became a lawyer in Baltimore. He was representing John T. Ford, lessee of the Fifth Avenue Theatre in New York, when Gilbert and Sullivan presented H.M.S. Pinafore in December 1879 and premiered The Pirates of Penzance at the end of that month. McCaull was attracted to theatrical production and became involved as an investor with these productions. He then quit his law practice to produce light opera. For the Christmas season in 1880, he staged Olivette at the Bijou Theatre in New York. The strong success of this piece encouraged him to continue to present comic opera.

Editorial summary

The public source identifies “McCaull Comic Opera Company” as american opera company. This brief keeps that definition visible, then builds a research path around McCaull, Comic and Opera.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1880, 1894, 1846, 1879—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with McCaull, Comic and Opera providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “McCaull Comic Opera Company”, the useful work is to connect “american opera company” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Oct 8, 2025. The linked authority identifier is Q6800255. VIAF identifies the subject as 139930976. The Library of Congress control number is no2007055416. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1880, 1894, 1846 and 1879.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “McCaull Comic Opera Company”, its source revision and the description used here.
  2. Expand the search: follow McCaull Comic Opera Company primary sources, McCaull Comic Opera Company archive and McCaull research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “McCaull Comic Opera Company”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from McCaull Comic Opera Company” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.