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Maxivision

35 mm motion picture film formats

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 27, 2022
Entity authorityQ17142098
Source-derived summary

Maxivision 24 and Maxivision 48 are 35 mm film motion picture film formats. The system was designed by Dean Goodhill in 1999. The system uses normal thirty-five millimetre motion picture film, capturing images on three perforations of film per frame. The format can run either at the standard twenty-four frames per second, or at forty-eight frames per second, which reduces strobing effects and increases apparent resolution when combined with a system for reducing film movement in the gate and eliminating scratching.

Because Maxivision uses only three film perforations per frame, the twenty-four-frame-per-second format uses 25% less film than standard four-perforation formats, and the 48 frame-per-second format only requires a 50% increase in the amount of film to yield twice the frame rate. The image is exposed into the region ordinarily reserved for the analog optical sound track which is rarely used now. This allows for a wider image on the same size film. This also reduces the need for cropping of the image and makes for a 30% larger total frame area than traditional projection even though less film is used.

The advancements of this system go beyond simply a larger image with less waste, however. The projector head is far more stable than traditional projection systems.

Editorial summary

Begin with the source’s own compact description: “Maxivision” is 35 mm motion picture film formats. The dossier treats that line as a proposition to test through Maxivision, motion and picture, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1999—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Maxivision, motion and picture is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “35 mm motion picture film formats” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Feb 27, 2022. The linked authority identifier is Q17142098. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1999.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Maxivision”, its source revision and the description used here.
  2. Expand the search: follow Maxivision primary sources, Maxivision archive and Maxivision research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Maxivision”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Maxivision” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.