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Morris Pert

British musician (1947–2010)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 28, 2026
Entity authorityQ968030
Source-derived summary

Morris David Brough Pert (8 September 1947 – 27 April 2010) was a Scottish composer, drummer/percussionist, and pianist who composed in the fields of both contemporary classical and jazz-rock music. His compositions include three symphonies, piano music, chamber and solo instrumental music, choral music and "sonic landscapes" for electronic media; a late major work is "Ankh" for Carnyx and electronics written for eminent trombonist John Kenny.

Biography

Morris Pert was born into a musical family and raised in Arbroath, Scotland where he played variously in percussion, folk (Triad) and rock bands (Vegas) and began to compose. He gained a Trinity College London diploma in piano performance in 1967 and a Bachelor of Music degree from the University of Edinburgh in 1969. He then studied in London on a scholarship at the Royal Academy of Music with Alan Bush (who considered Pert one of his best pupils) and James Blades. He was a prize-winning student, being awarded the 1970 Royal Philharmonic Society Award for his orchestral work Xumbu-Ata, which was broadcast by the BBC. Pert's other orchestral compositions include Missa Festiva for choir and orchestra, Omega Centauri for chamber orchestra and tape, Sun Dragon for large orchestra and tape, Sonores for solo piano, Andromeda Link for solo violin and tape, Eoastrion Op.30 for E-flat clarinet, piano and tape, The Rising of the Moon for large orchestra (Premiered by Hiroyuki Iwaki and the Waseda University S.O.), The Beltane Rites for orchestra (a BBC commission), The Ancient Kindred for orchestra, Ancient Rites for choir and orchestra, Chromosphere for five players and tape, The Ultimate Decay for tape, The Book of Love for percussion and tape, and incidental music for productions of Macbeth (Young Vic), The Tempest, and Peter Pan (Eden Court).

As a rock musician Pert spent two years (1970–1972) with Japanese percussionist Stomu Yamashta as a member of his ensembles "East Wind" and "Red Buddha Theatre". The group created a sensation with performances at The Roundhouse in London. In 1971 he founded the group "Come to the Edge" with Robin Thompson and Andrew Powell. After personnel changes in 1973 this band became "Sun Treader" (or "Suntreader") and recorded two albums.

Editorial summary

This brief starts where responsible research should: with the source description of “Morris Pert” as british musician (1947–2010). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1947, 2010, 1967, 1969—that can be checked directly. The authority record carries competing date values—1947-09-08, 1947-09-09—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Morris, Pert and British can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as british musician (1947–2010). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated May 28, 2026. The linked authority identifier is Q968030. VIAF identifies the subject as 5350227. The Library of Congress control number is n81078914. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1947, 2010, 1967 and 1969.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Morris Pert”, its source revision and the description used here.
  2. Expand the search: follow Morris Pert primary sources, Morris Pert archive and Morris research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Morris Pert”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from Morris Pert” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.